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Q & A

Author Debra Kempf Shumaker on the Art of Perseverance

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Hello world!

Welcome to my Blissfully Bookish book blog. For this Q & A, please welcome author Debra Kempf Shumaker. I’ve known her for some time, and was always amazing at her patience and level of perseverance. In November 2019, she posted about her upcoming book deal (FREAKY FUNKY FISH, published by Running Kids Press in 2021) in the KidLit411 Facebook group. Here’s what she said, which may inspire many of you.

But first, exciting news- Debra is generously giving away a FREE PB critique! It could be fiction or nonfiction, and/or rhyming. Simply comment below. Contest ends May 4, 2020. Good luck!

When I signed with my agent in July of 2017, I shared in this group that I had been subbing for about 7 or 8 years, had subbed 11 different PBs, and had about 160 rejections before I got that first YES. Well, I finally had my second YES:
My debut PB was announced last night. BUT, this was the 13th or 14th (maybe 15th) PB that I had written and revised enough to feel it sub-worthy. (I won’t count the rough drafts that I wrote that I never went back to.) AND, it’s the 5th PB that my agent went on sub with. Two others had gone to acquisitions a few times but didn’t sell.
Bottom line: Don’t give up. Be willing to revise, revise, revise. And work on craft. BUT—also be willing to move on and write new things. When I first started, I spent 2 or 3 years revising the same 2 stories over and over again, thinking I just needed to tweak them and they would sell. Sometimes, some stories are just practice and that’s OK.
For those of you who are pre-published, hang in there! I hope that my story and my long journey to two “YESes” encourages you to keep pushing forward!
PS: The first thing I should have said is that I owe a million thanks to my critique groups and various CPs! None of my stories would have been ready without all of them!

During your many years of writing, editing, and receiving slews of rejections, what kept you going? (And how did you stay sane with all the waiting?)
Math. I knew I had a 100% chance of failure if I stopped writing. The only way to get a book deal was to keep writing. I knew that my writing would get better if I kept reading and analyzing picture books, being open to feedback, and being willing to revise. My critique partners were crucial as cheerleaders and for helpful input into my stories.

Was there a turning point or an “aha” moment, or was the process of learning your craft slow and steady?
Actually, it was a combination of the two. My “aha” moment came during a local SCBWI conference early in my writing career. In a Q&A session, someone asked an editor, “After you submit your story, how long do you wait to hear back?” He replied, “You don’t. You forget about it and write something new.” That’s when it hit me. I had been rewriting and revising the same two PBs for over a year. Those two were my “big ideas.” Where was I going to get more ideas? I was depressed and thought about quitting.
Thankfully, the next day, somewhere online, I read about Tara Lazar’s PiBoIdMo (Picture Book Idea Month, now known as StoryStorm) which was starting within a few days. From there I found Julie Hedlund’s 12×12 (a challenge where you attempt to write 12 rough drafts in 12 months) and those two groups changed the way I approached my writing. From there, it was a slow and steady journey, dotted with many peaks and valleys. It was at least 6 or 7 years after that “aha” moment before I signed with my agent.

What are your top 3 pieces of advice for querying authors?
One: Develop thick skin and do not take rejection personally. Agents and editors are not rejecting YOU, they are rejecting the story you have written.
Two: The odds are high your first story won’t sell. Or your second. The 11th story I subbed caught my agent’s eye in 2017. And we never sold that story. It was the fifth story we went on sub with that finally sold. (That doesn’t include the dozens of rough drafts I’ve ever written.)
Three: Write something new. When you send one story off, write another one immediately. Fresh new projects help me to forget about the waiting.

How long did it take you to get your agent? What was that process like?
It took seven or eight years after my first query. In that time, I took several “query sabbaticals” when I realized my stories weren’t up to par and I needed to revise or write new stories. Though I had several close calls with both agents and editors in 2014 and 2015, I didn’t sign with my agent until July 2017. And it was January 2019 before we sold a book. This submitting process is not for the faint of heart!

Please share a few details about your forthcoming book.
FREAKY FUNKY FISH is a rhyming NF PB with Running Kids Press. From zapping, stinging, even singing, to playing dead or a see-through head, discover the funky, even freaky, ways fish look or act to survive in the rivers, lakes, and oceans they live in. It is scheduled for publication in Spring 2021.

Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?
Hopefully lots more published picture books! I love picture books so much and can’t imagine writing anything else! I write both fiction and nonfiction and we are out on submission with a few manuscripts. Hopefully I’ll have news to share again soon!

Please share your favorite books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?
I’m going to cheat a bit and instead give you authors that inspire me. I love science related NF PBs and three authors’ books that I study over and over again are Laura Purdie Salas, Melissa Stewart, and April Pulley Sayre. Their words flow off the page and seem effortless, though I know that every word was chosen carefully and probably with blood, sweat, and tears!
For a classic, when my teens were little, we read seasonal alphabet acrostic books written by Steven Schnur and illustrated by Leslie Evans. The pairing of the poems and art just spoke to me and I decided I wanted to write words that would inspire art like that!

What is the best (one) piece of advice you would give to aspiring writers?
Type up the text of picture books you love, especially if they’ve been published in the last 3 years. You’ll learn so much about pacing and word choice. Seeing the words separated from the art give you a better idea on what editors read and love when they buy books.

And a bonus question just for kicks! If you could be any flavor of ice cream, which one would you be and why??
Mint chocolate chip. Mint, because it’s refreshing, and chocolate because you cannot get through rejections without chocolate.

BIO
I write both picture books and magazine articles. My magazine articles have been published in Spider, Fun For Kidz, and Boys’ Quest. I also cohost #PBPitch, a Twitter pitch party for picture books held three times each year. I am repped by Natascha Morris with BookEnds Literary.

Social Media
https://debrashumaker.com/
https://twitter.com/ShumakerDebra
https://www.instagram.com/debrakshumaker/

Author Tara Lazar: How to Work on your Craft

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Hello world!

Welcome to my book blog. For this Q & A, please welcome an award winning author who’s one of my mentors (and who’s hilariously funny): Tara Lazar. We recently had an interesting conversation via Twitter and I wanted to share some of it here because it was it was fascinating. And oh, did you know she just released yet another picture book? It’s Three Ways to Trap a Leprechaun published by HarperCollins, you should definitely check it out.

.What is your writing process, and does it change depending on the project?
 My process begins with collecting ideas and then sorting through them, often with the help of my agent, and deciding which is the most exciting concept to work on. Then there’s a lot of THINKING. I like to call it “marinating”. The idea is working itself through my brain while I grind through my daily…umm, grind. Somehow the idea announces that it’s ready—I get this full-body creative squirm that forces me to sit down and write it out.

What do you do when you get stuck in a manuscript?
I work on something else. Or I do laundry. Or take a shower. Something rote and mundane lets the creative gears spin in the background. There is always the question of “why” popping up—why does this character act this way? The story has to use logic as it moves along. There is action and reaction, and it has to make sense, even in that pretend world.
I like to write flash fiction short stories for adults, too, and I find that genre helps me whittle things down to only the most important details, and that’s a skill essential to picture books as well.

Tara and I had an interesting discussion a few months ago about how writers need to keep writing and practicing. Some manuscripts never get published, but each project is another stepping stone on the road to publication. All that practice pays off and you may one day write a story that comes out smoothly because of it. Tara, how many times has this happened to you?
It’s just how I have approached the business. Not everything you write will get published, so you must accept that some projects get shelved. Maybe you can turn back after some time and examine it with fresh eyes, more experienced eyes, and make changes that propel it onward. Or sometimes, you see why a story was not destined to get out there. Writing is never wasted time. Baseball players have batting practice—they never stop trying to improve. Not every hit will be a home run. But taking many swings is what matters.

Once you get to that magical place where things flow more organically, does the experience repeat itself or is it always different?
Every story is different. Things gel for me a little more quickly than they did in the past, but still, not every story is a winner. There are many variables that you cannot control in this business. What you can control is writing as many stories as you can.
It reminds me of that Picasso fable. Someone asked Picasso to draw something on a cocktail napkin for them. Picasso drew it, handed it to them and said, “That will be $1 million.” And the person scoffed, “A million? But that took you a few seconds to draw.” Picasso replied…”Yes, because it took 30 years of work for me to draw that in a few seconds.”
You should look that up because I just paraphrased it—but that is essentially the story! You put in years of work to work more efficiently, to work more successfully.

What is the best (one) piece of advice you would give to other writers?
Write, read, network. Never stop learning and growing.

 And a bonus question just for kicks! If you could be any flavor of ice cream, which one would you be and why??
Pistachio. It’s my favorite. I could lick my fingers when I’m hungry!

Who’s Tara?

Street magic performer. Hog-calling champion. Award-winning ice sculptor. These are all things Tara Lazar has never been.

Instead, she writes quirky, humorous picture books where anything is possible.

Her picture books available now are:

Tara is represented by Ammi-Joan Paquette of the Erin Murphy Literary Agency.

Her last name rhymes with “bazaar”—you can listen to Tara pronounce her name on TeachingBooks.net. She’s not Tara Laser-beam (although that would be awesome).

For more information: https://taralazar.com/

Author Nancy Churnin’s Nonfiction Mentor texts

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Hello world!

Welcome to my book blog, Blissfully Bookish. For this Q & A, please welcome the multi-talented author Nancy Churnin. She tells us about her latest book, Beautiful Shades of Brown, the Art of Laura Wheeler Warin, published by Creston Books.

Can you describe the journey to publication for this book?
I began working on this book in 2016. I took it to workshops, submitted it to editors that told me it was too quiet which is funny in a way because Waring was a quiet person and some people think she didn’t get her due because she preferred to speak through her paintbrush. I put it aside.  My agent, Karen Grencik, connected with an editor who was looking for “hidden voices” – people that had been overlooked and were deserving of having their stories told. The editor loved it and we worked on revisions before going to acquisitions. We didn’t make it through acquisitions, but the very next editor I sent the revised manuscript to Marissa Moss at Creston Books, who loved it and felt it was good to go. I was thrilled when she found Felicia Marshall to do the illustrations. Felicia channels Laura Wheeler Waring’s heart, style and brilliance with colors. I am happy that Beautiful Shades of Brown found the right home and the perfect illustrator.

Where did you draw the book’s inspiration?
I fell in love with a painting of Marian Anderson. I had been wondering why there weren’t more books about female painters. When I discovered this painting I loved was by Laura Wheeler Waring, I felt compelled to learn everything I could about her. The more I learned the more I wanted to know and the more I wanted to share what I knew about this amazing artist who used her paintbrush to change perceptions of African Americans in segregated America and whose artwork can now be seen and enjoyed in major museums, including the Smithsonian National Portrait Gallery and the Smithsonian Art Museum in Washington D.C. and the Pennsylvania Academy of the Fine Arts in Philadelphia, Pa.

What is your writing process like, and does it change depending on the project?
The process changes depending on the project and where I am on my writing journey, but some things do remain the same.  I research until I find the heart of the story – the part that resonates with me and that I hope will resonate with the kids. I make notes. I write through. I edit and research more. I rewrite, rewrite, rewrite, sometimes on my computer, sometimes in longhand. When I feel I’ve taken it as far as I can, I run it by my critique partners to get their feedback and revise again.

What draws you to the world of nonfiction? Do you ever write fiction?
I am drawn to the forgotten people, the people who were left out of the history books that deserve to be known. I feel a personal mission to shine a light on them. I have recently been increasingly drawn to the world of historical fiction, which would allow me to embroider stories that might have happened against a historical backdrop. That’s one of the genres I hope to work on more going forward. As for fiction, I love to read it – who knows – maybe one day I will write that, too.

 Please paste a short and compelling excerpt from your book.
“Laura looked at Marian and saw again the teenager singing so soulfully years ago. She heard again the music in all its beautiful shades of brown. She felt the melody travel down her fingers as she dipped her brush into the paints of her palette and found the exact luminous shade of Marian’s beautiful brown skin, her gown, the room.”

 Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?

I have a second book coming out in 2020, For Spacious Skies, Katharine Lee Bates and the Inspiration for “America the Beautiful” (April 1 from Albert Whitman & Company), which tells the story of the poet, professor and suffragette who fought for equal rights, including a woman’s right to vote, and gave her poem, “America the Beautiful” to America as a gift. I have a new book, A Queen to the Rescue: the Story of Henrietta Szold, coming out in fall of 2021 from Creston Books/Lerner Books. I hope to keep writing, creating, visiting, sharing and empowering children. I offer free teacher guides and create projects for each book. I would love to see myself both sharing stories about heroes and encouraging kids to be heroes of kindness in their schools and communities.

Please share your favourite books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you? For classics, The Hobbit is a wonderful example of a quest story You have an unlikely hero that inspires no confidence in anyone (including himself); only the wise wizard sees past appearances. He faces challenges on the way to achieving his goal. He achieves the goal in an unexpected way that changes his perception of the world and who he is. Finally he returns home, but in the spirit of T.S. Eliot: “…the end of all our exploring will be to arrive where we started and know the place for the first time.” For contemporary books, one of my favorites is The Color Purple. That, too, is a quest story of sorts, with the heroine on a journey to discover her own strength and self-worth.

What is the best (one) piece of advice you would give to other writers?
If your heart beats with your characters, your heart will continue to beat in that story after you send it into the world — and children will pick up that beat and know it for their own.

And a bonus question just for kicks! If you could be any flavour of ice cream, which one would you be and why??
Vanilla with dark chocolate covered almonds because it’s crunchy, mellow and CHOCOLATE.

BIO
Nancy Churnin is the award-winning author of eight picture book biographies, with a ninth on its way, including a Junior Library Guild selection, a Sydney Taylor Notable, a South Asia Book Award winner, an Anne Izard Storytellers Choice Award pick, a Notable Book for a Global Society selection and two National Council for the Social Studies Notables and two Silver Eureka Award winners. Her books have been on multiple state reading lists and she has presented at the Museum of Tolerance in Los Angeles, the Ruby Bridges Reading Festival at the National Civil Rights Museum in Memphis, Tenn., the Tulisoma Book Fair at the African American Museum in Dallas and the New York City School Librarians Conference. Nancy graduated cum laude from Harvard University, has a masters from Columbia University and lives in Plano, Texas with her husband, their dog named Dog and two cantankerous cats.

Links
Website: https://www.nancychurnin.com/
Blog: https://www.nancychurnin.com/thekidsareallwrite
Facebook: https://www.facebook.com/NancyChurninBooks/
Titter: https://twitter.com/nchurnin
Instagram: https://www.instagram.com/nchurnin/
Amazon: https://www.amazon.com/Beautiful-Shades-Brown-Wheeler-Waring/dp/1939547652
Barnes & Noble: https://www.barnesandnoble.com/w/beautiful-shades-of-brown-nancy-churnin/1133250747?ean=9781939547651
Interabang Books: https://www.interabangbooks.com/book/9781939547651
IndieBound: https://www.indiebound.org/indie-bookstore-finder
Lerner Books: https://lernerbooks.com/shop/show/19649
Express Booksellers: https://expressbooksellers.com/kids-books/

Author Laurie Wallmark on Female STEM Pioneers

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Hello world!

Welcome to my Blissfully Bookish book blog. For this Q & A, please welcome author Laurie Wallmark. I really enjoy her nonfcition books that tend to focus on women and STEM, topics that are dear to my heart. Here she is discussing her new book, Numbers in Motion: Sophie Kowalevski, Mathematician illustrated by Yevgenia Nayberg and published by Creston Books.

Book quote:

“As the only woman in her classes, Sophie rarely spoke up. One day, while the professor was lecturing, she spotted a mistake on the blackboard. With a pounding heart, she walked to the front of the room.”

  1. Can you describe the journey to publication for this book?

I love math and wanted to share this love with children. Although two of the women in STEM (science, technology, engineering, math) in my picture book biographies have been mathematicians, they were known more for their contributions to computer science. I thought it was time to give a mathematician her due.

  1. Where did you draw the book’s inspiration?

Once I knew I wanted to write about a mathematician, I had to choose which one. I thought about the women mathematicians I knew about and looked through lists to find about ones I didn’t. I chose Sophie for two reasons. Her major mathematical accomplishment, the rotation of solid bodies, has real world applications that children can understand. Second, she solved the problem known as the mathematical mermaid. Who would ever think that those two words would appear in the same sentence?

  1. What is your writing process like, and does it change depending on the project?

For my picture book biographies, my writing process starts with lots and lots of research. Along the way, I make a list of the possible scenes I might include. This helps me figure out the perspective and focus of the book. Then it’s the usual–write, revise, repeat–occasionally doing more research. For fiction, I still might have only to do a little bit of research, but the rest of the process is the same.

  1. What differentiates your book from others with similar content currently on the market?

Numbers in Motion: Sophie Kowalevski, Queen of Mathematics is the first biography of this important mathematician. She’s so important, that every year the Association of Women in Mathematics celebrates a Sonia Kowalevky Day. (To find out why this is a slightly different name, look in my book’s back matter that explains transliteration from the Russian alphabet.

6. Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?

I have another woman in STEM book coming out next year. In addition, I have three fiction picture books on the way. I can’t be more specific than that except for the one book that’s already been announced–Dino Pajama Party. I’m currently working on several more picture books and a novel in verse.

  1. Please share your favourite books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?

I don’t have a good answer to this question (a common one asked during school visits). It’s too hard to narrow the field. There are so many excellent books out there. I will say that in general what moves me about books is the use of language and the way the story unfolds.

  1. What is the best (one) piece of advice you would give to other writers? 

Keep on keeping on.

And a bonus question just for kicks! If you could be any flavor of ice cream, which one would you be and why??

I’d be vanilla, because it’s my favorite ice cream flavor. But I’d hang out with all the other flavors, because what’s life without the great diversity of ice cream flavors (or people for that matter) in the world?

BIO
Award-winning author Laurie Wallmark has written picture book biographies of women in STEM (science, technology, engineering, and math) in fields ranging from computer science to mathematics to astronomy. Her books have earned multiple starred trade reviews, been chosen as Junior Library Guild Selections, and received awards such as Outstanding Science Trade Book, Cook Prize Honor, AAAS/Subaru Prize Longlist, and Parents’ Choice Gold Medal. Laurie has an MFA in Writing from VCFA. She is a former software engineer and computer science professor.

Social Media
Website: https://www.lauriewallmark.com/
Facebook: https://www.facebook.com/lauriewallmarkauthor
Twitter: @lauriewallmark

To Buy
Indiebound: https://www.indiebound.org/book/9781939547637
Amazon: https://www.amazon.com/Numbers-Motion-Sophie-Kowalevski-Mathematics/dp/1939547636/

Author Kirsten Larson: From NASA to STEM Kidlit

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Hello world!

Welcome to my book blog. For this Q & A, please welcome author (and my friend) Kirsten W. Larson. Trust me, this woman is going to make her mark in the world of kidlit. Jois us as she discusses her new book, WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE published by Calkins Creek. 

Can you describe the journey to publication for this book?
I first researched and wrote WOOD, WIRE, WINGS in March 2014 as part of Susanna Hill’s “Making Picture Book Magic” class, so it took almost six years from first draft to published book. For two years, I revised with my critique group and in response to agent and editor feedback at conferences and from queries. In February 2016, I queried agents with the book and signed with my agent, Lara Perkins of ABLA, soon thereafter. This was the first manuscript we sent out. My editor, Carolyn Yoder, asked for an R&R (revise and resubmit) before offering in February 2017. After that, there were still two more rounds of revision. So my takeaway: The publishing process, especially for picture books, is slow.

Where did you draw the book’s inspiration?
The book Rosie Revere, Engineer by Andrea Beaty, illustrated by David Roberts inspired this book. The name of Lilian Todd and a note that she was the first female airplane designer appeared in one of David’s illustrations. Though I’d lived and worked around airplanes my whole life, I’d never heard of Lilian. Neither had my husband, who’s a test pilot and aviation history buff. I knew Lilian’s story was one I needed to tell.

Please share some of your writing process.
My writing process has evolved quite a bit since WOOD, WIRE, WINGS, but for each book my research process is similar. I start with secondary sources and read widely about the person and/or time period I’m tackling. Secondary sources provide needed context for primary sources and also point the way to primary sources through endnotes and bibliographies. I typically have both a file box for books, copies of print sources, and drafts. But I also create a file in Evernote for electronic sources. I use the Evernote web clipper to clip journal and newspaper articles, online letters and diary entries, etc.

When I feel like I’m starting to see the same information over and over again, it’s time to write. Normally I start with a timeline or what I call my “kitchen sink draft,” which has all the names, dates, and details that probably won’t appear in the final draft. Then I can let all specifics go and be more creative with my structure, storytelling, and voice. I also carefully consider what must be said with words and what can appear in the illustrations.

When did you first realize you wanted to be a writer?
I’ve always been a writer in some fashion, and my interest and experience has mostly been nonfiction, specifically journalism. I wrote a newsletter filled with articles about  my family when I was in high school. It included breaking news about birthday parties and trips to the dentist. In college I was a reporter and editor at the college newspaper, The Cavalier Daily, and wrote for two different newspapers in my hometown. I also interned at NASA as a college student, working in the public relations department. (We call it Public Affairs at government agencies). That’s the career field I eventually went into. I didn’t turn to writing picture books until I had two children who devoured nonfiction children’s books about space, weather, and everything else imaginable. Reading those books, I realized I could write them and would probably have a blast doing it.

How did working at NASA influence your writing?
Working at NASA Public Affairs, I considered myself a translator for technical information. My job was to work with the news media providing the information they needed to inform the general public about NASA’s work. That often involved “translating” technical talk and engineer-speak into everyday language when writing press releases and newsletter articles, for example. This was great practice for writing STEM-based picture books where I often read journals and talk with experts. Working at NASA also influenced the subject matter of my first two picture books, which focus on women in aviation and astronomy.

Why do you write nonfiction?
I write primarily to satisfy my own curiosity. Whenever I tackle a new subject, it’s an excuse to become an expert in that field. If I can write a children’s book about the topic, then I know I truly understand the material myself.

Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?
I have two more forthcoming nonfiction picture books, only one of which is announced. THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars are Made Of, is being illustrated by Katherine Roy and will be published by Chronicle Books. I continue to research and write nonfiction picture books but have also tackled graphic novels, another favorite genre. I’m revising a Nathan Hale’s Hazardous Tales-type graphic novel that marries history with fictional elements.

Please share your favourite kidlit books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?
I’m a huge fan of mentor texts, and the books I use are tailored to each project. For WOOD, WIRE, WINGS, I had Debbie Levy’s I DISSENT (illus. Elizabeth Baddeley, Simon & Schuster, 2016) by my side. That book really showed me how to provide just enough historical context in an interesting way. One of my favorites from childhood was THE MONSTER AT THE END OF THIS BOOK, a Little Golden Book featuring Grover, by Jon Stone, illustrated by Michael Smollin (1971). It’s such a perfect example of strong page turns propelling the story forward and a surprising ending. I still have a copy.

What is the best (one) piece of advice you would give to other writers?
Because of the nature of publishing, I think the best thing we can do for our work is to enjoy the journey. We must make sure each book is the story we want to tell, even if it never sells. Finally, there are always people who can help us tell the story better, whether it’s a critique partner, an agent, an editor or an illustrator. Being able to really revise and reimagine a story in response feedback is perhaps the greatest skill a creator can have.

And a bonus Q- If you could be any flavour of ice cream, which one would you be and why?
I’m a big fan of pistachio gelato, which I learned to make in Italy.

BIO
Kirsten used to work with rocket scientists at NASA. Now she writes books for curious kids. Kirsten is the author of WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek, 2020) and THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars Are Made Of, illustrated by Katherine Roy (Chronicle Books), as well as 25 nonfiction books for the school and library market. Kirsten lives near Los Angeles with her husband, lhasa-poo, and two curious kids. Her house is filled with LEGOs, laughter, and lots of books!

Social Media
Website: www.kirsten –w-larson.com
Twitter/Instagram/Pinterest: @KirstenWLarson
Facebook: @KirstenLarsonWrites

Author Annette Whipple on Creating Compelling Nonfiction

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Hello world!

Welcome to my book blog. For this Q & A, please welcome author Annette Whipple as she discusses her new book, The Laura Ingalls Wilder Companion: A Chapter-by-Chapter Guide. It’s nonfiction, which I love!

  1. Can you describe the journey to publication for this book?

Oh, it’s been a long journey! The Laura Ingalls Wilder Companion: A Chapter-by-Chapter Guide began with the idea in 2014. In 2016 I had an offer from Chicago Review Press, but we put the contract on hold until I received all the permissions needed from the Little House people. We moved to contract in 2018. I turned in the manuscript in May 2019. It’ll be published in July!

  1. Where did you draw the book’s inspiration?

Of course Laura Ingalls Wilder’s Little House books were my biggest inspiration. There’d be no book without them. However, I got the idea for the companion guide when I was reading Roar!: A Christian Family Guide to the Chronicles of Narnia. My kids loved it and so did I.

  1. Please share some of your writing process.

I read each the Little House books a few times and took notes in a chart I created. I noted the plot and events, people, food, and activity ideas that I might want to include in my book. I also noted words that might be included in my book as pioneer terms.
In The Laura Ingalls Wilder Companion, I help the reader understand the Little House story and especially the complicated history at that time. All of that took a lot of research! One of my favorite features are the “Fact or Fiction?” sidebars. My kids and I got hands-on experimenting for the 75 recipes, crafts, and activities included!
For those interested, I wrote an entire blog post last year about the writing for The Laura Ingalls Wilder Companion. https://www.wildercompanion.com/2019/03/manuscript-process.html

  1. When did you first realize you wanted to be a writer?

I was well into my thirties before I realized I love to write. In 2009, I began blogging to share with family about my daughter’s progress overcoming a speech disorder. Soon I realized I wanted to share with a larger audience and began a new blog. After a few years I took a few writing classes and wrote a few magazine articles. And then I attended my first writing conference in 2015.

  1. Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?

The Laura Ingalls Wilder Companion: A Chapter-by-Chapter Guide is my sixth nonfiction book. I plan to keep writing for children, especially nonfiction because facts are fun. (That’s something I emphasize during my author visits as well as professional development workshops for teachers.) In the fall Reycraft Books plans to publish my book (tentatively titled) Whooo Knew?: Discover Owls. I’m thrilled Reycraft plans to illustrate the picture book with photographs. I also have another book under contract, but I can’t talk about that one yet! I can tell you it’s about some important people in American and world history.

6. Please share your favourite books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?

Obviously, I think Laura Ingalls Wilder’s Little House books are full of inspiration for good storytelling. But Little Women by Louisa May Alcott strikes me differently every time I read it (which is just about every year). Terrific Tongues by Maria Gianferrari is a picture book that I’d love to use as a mentor text—though I haven’t yet. It’s fun and full of great facts.

  1. What is the best (one) piece of advice you would give to other writers? 

Every writer needs a good critique partner (or two or a group) they can depend upon. It’s best if they have experience writing in your genre.

Here’s a quote I find inspiring: “I write alone, but I depend on others to help me write well.”

Here are two posts I’ve written about the value of feedback.
https://www.annettewhipple.com/2020/01/writing-success-is-art-part-1.html
https://www.annettewhipple.com/2019/09/the-value-of-feedback-for-writers.html

And a bonus question just for kicks!
If you could be any flavour of ice cream, which one would you be and why??
Ha! Maybe pecan. The pecans add just a bit of nuttiness to the vanilla…a perfect combination!

BIO
Annette Whipple celebrates curiosity and inspires a sense of wonder in young readers while exciting them about science and history. She’s the author of five published books. In 2020, The Laura Ingalls Wilder Companion: A Chapter-by-Chapter Guide (Chicago Review Press) and Whooo Knew? Discover Owls (Reycraft Books) will be published. When she’s not reading or writing, you might find Annette snacking on warm chocolate chip cookies with her family in Pennsylvania. She explores the world of Laura Ingalls Wilder at WilderCompanion.com. Learn more about Annette’s books and presentations at AnnetteWhipple.com.

Social Media:
Book Link: https://amzn.to/2R3QPiD
Also, about the book:  https://www.annettewhipple.com/2019/11/the-laura-ingalls-wilder-companion.html and
https://www.annettewhipple.com/
https://www.wildercompanion.com/
https://www.facebook.com/AnnetteWhippleBooks
https://www.facebook.com/LittleHouseCompanion/
https://twitter.com/AnnetteWhipple
https://www.instagram.com/annettewhipplebooks/
https://www.pinterest.com/AnnetteWhippleBooks/

Author Tim Wynne-Jones on Creating Thrilling YA

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Hello world!

Welcome to my book blog. For this Q & A, please welcome author Tim Wynne-Jones as he discusses her new book, The Starlight Chain and its journey to publication. And oh, did I mention Tim is also a fellow Canadian? 🙂

  1. Where did you draw the book’s inspiration?

The Starlight Claim is a weird kind of sequel to a novel called The Maestro, that came out way back in 1995. For ages, kids have asked me what happened to Burl, the protagonist of that book – and what happened to his horrible abusive father! I always meant to write a sequel but when I finally got around to it, Burl would have been old enough in real years to have a sixteen-year-old son of his own and I decided that would be more interesting. I could giver old fans the answer they wanted but set out on a whole new adventure.

  1. Please share some of your writing process.

By now, I’m not at all sure what my writing process is. After 37 books, I’d have to say my process changes as the story requires it to. Kind of like the way we try to parent our kids the best way we know how but have to make allowances for their differences. At best, I like to write a first draft as quickly as I can. That way, I get to find out what’s going to happen! I’ve never been much good at outlining; I write to discover. I want to be as excited as the reader when I turn the page. It’s great idea, in theory, but it means you sometimes take a whole lot of wrong turns along the way.

  1. When did you first realize you wanted to be a writer?

Only when the door to my dreams of being an architect was slammed shut in my face. I failed out of third-year architecture and ended up as lead singer in a Toronto bar band. I started writing songs; the songs got longer; eventually they had chapters!

  1. Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?

I have a middle-grade novel almost finished, but the last part has proved obdurate. Grrr. Even after so many books and so many years, a story doesn’t always go smoothly. After that, who knows. I don’t feel I’m ready to hang up my hat but I look around and hear so many exciting new voices clamoring to be heard and I think, it’s somebody else’s turn. So I don’t have the same drive as I did twenty or even ten years ago, but I’m not ready to stop dead. I guess what it comes down to is that I’ll only want to throw myself into a project that feels so right I can’t resist putting my whole heart into it. Which is kind of what it’s always been like…

  1. Please share your favourite books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?

This is a hard one. I read all the time and pick up valuable tips, along the way. You never stop learning to be a better writer. I love A.A. Milne’s The House at Pooh Corner. I love the cleanness of the writing, the humour. You’d be hard-pressed to find even a hint of Milne’s influence on my work. Or John Le Carré’s either. Or Barbara Kingsolver’s, for that matter. I wish! Probably my favourite book of the last few decades is Philip Pullman’s The Golden Compass, as well as the other two books in the series His Dark Materials. The inspiration I get from those books and many others is the desire to write as well as I can. To write to open up. To write to surprise. To write to discover something that matters.  

  1. What is the best piece of advice you would give to other writers? 

Write the book you need to write. We all learn to write from emulation, but at some point, there is a story only you can tell. Write that.

BIO
Tim Wynne-Jones has written 37 books for people of all ages. He has won The Governor General’s Award twice and been short-listed six times. He has also won the Boston Globe-Horn Book Award twice, the Arthur Ellis Award of the Crime Writers of Canada, twice, and, once upon a time, the Edgar Award presented by the Mystery Writers of America. His books have been translated into a dozen languages. He was made an Officer of the Order of Canada in 2012.

Social Media:
Twitter: https://twitter.com/tim_wj
Website: http://www.timwynne-jones.com/
Blog: https://theresalwaysdinner.home.blog/

Author Jeanne Moran on Writing Historical Fiction

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Hello world!

Welcome to my book blog. For this Q & A, please welcome author Jeanne Moran as she discusses her new book, The Path Divided, and its journey to publication.

But first, YAY! Jeanne is generously giving away two FREE copies of her book, one in print, the other in eBook form. To enter the contest, follow me on Twitter (@LydiaLukidis) and leave a blog comment below. (US residents only, ends Jan 1, 2020)

Can you describe the journey to publication for this book?
The Path Divided is the sequel I didn’t plan to write. Seriously, who wants to research and write a second novel set in Nazi Germany? After Risking Exposure was published, I was ready to move on to more pleasant subject matter. And I did, for a little while.
Then, (I tell you this in full trust that you won’t call the men in the white coats) I awoke in the middle of the night with a grouchy old man’s voice in my head. Without knowing who he was, I stumbled to the computer and documented his words. About five hundred words into his dictation, I realized he was an unrepentant Nazi. After another five hundred words, I recognized him as the antagonist from Risking Exposure, but six decades older. The seed for The Path Divided was sown.
I wouldn’t write about an old, unrepentant Nazi without a counterbalance of someone with decent morals and behavior. When I revisited the character of his more noble sister and found her still in 1938 (I’m not a time traveler, just a writer,) her story grew also. The Path Divided weaves together her historical narrative with his more contemporary one.

Where did you draw the book’s inspiration?
My novels were born of my curiosity and my ignorance. Books about Nazi Germany tend to focus on the war and the horrors inflicted on Nazi targets. They’re typically told by either the regime’s victims or the WWII victors.
Enter my curiosity. As a second-generation American of German descent, I wondered about the German experience. If my grandparents hadn’t emigrated, my parents would have grown up in Germany during the Nazi era. Their school curriculum would have been Nazi-designed and approved. They would have been members of Hitler Youth, as was the law. They would have been bombarded with the regime’s version of news through government-controlled media. Perhaps they would have been caught up in the fervor of a torchlight parade or an enormous rally.
I knew the Nazis were good at brainwashing their citizens; they spewed propaganda into German minds for six years before war broke out. But I wondered—what if a regular teenage German thought for herself? What if she was headstrong and independent and refused to go along with the crowd? Those ‘what if’ questions pushed me on.

Please share some of your writing process.
I typically start with a character and spend some time getting to know that character and her world before I write anything. I try to understand what she wants and why she wants it. I jot down ideas—settings, events, secondary characters, etc.
The writing itself tends to be in fits and starts as a scene takes shape in my mind. Don’t tell my English teachers this, but I don’t start by writing the opening scene. Gasp! I write scenes out of order, and I always write the ending before I write the beginning. Also, I avoid heavy edits until the entire first draft is finished.

When did you first realize you wanted to be a writer?
I was one of those kids who wrote stories and stuck them under the bed, but in my adult life, I worked as a pediatric physical therapist. We therapists ask children to do exercise that’s really hard, and the kids on my caseload struggled to participate. All that changed when I embedded the needed exercise into a story. The kids were no longer lifting a weight, they were raising their sword to defend against pirates! They weren’t walking to increase endurance, they were explorers on a jungle safari! Their cooperation (and their motor skills) soared.
Time and again, I was struck by story’s power to transform. I knew I had to do more of that, and I’m delighted to do so still.

Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?
While I won’t discount the possibility of writing more historical fiction (I love research,) I’m delighted to say all the Nazis are out of my head! I’m currently writing a funny middle grade chapter book series tentatively called The Companion Finders. In it, a prank-loving Friendship Fairy must team up with the self-absorbed Fairy of Love to find human companions for the world’s loneliest creatures: Sasquatch, the Loch Ness Monster, the Yeti, and Jack Frost.

Please share your favourite books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?
I love character-driven kidlit, and a classic favorite of mine is Charlotte’s Web by E.B. White. When I read it as a kid, I thought, “I can’t believe I’m crying about a spider!” and when I read it again as an adult, I was again touched to the core. The characters of Charlotte, Wilbur, and Fern still ring with authenticity. A more contemporary favorite is The Thing About Jellyfish by Ali Benjamin. The unique voice and delightful character of Suzy were so well drawn that I actually missed her after I closed the book.

What is the best (one) piece of advice you would give to other writers?
When the reader truly experiences a story, that story becomes part of their understanding of the world.

And a bonus question just for kicks! If you could be any flavour of ice cream, which one would you be and why??
Banana ice cream with chocolate coated almonds swirled through. Why? Because the color yellow brightens everything, the almonds swirled in because I’m a bit scattered and nutty, and the chocolate because, hello, it’s chocolate!

BIO
In my career as a pediatric physical therapist, I helped hundreds of children gain strength and motor skills. That left me spare time (ha!) to teach Sunday School, direct an after-school program, organize an international student-athlete exchange, and plan a new community playground. Along the way, I learned a bit about tang soo do and sudoku, tap dancing and German, whole foods cooking and the joy of selling on eBay. Anything to avoid cleaning!
I write fiction and creative non-fiction for young and young-minded readers surrounded inspirational quotes, vinyl records, countless books, and innumerable dust bunnies.

Social Media:
Twitter: https://twitter.com/JmoranAuthor
Facebook: https://www.facebook.com/jeannemoranauthor
Instagram:  https://www.instagram.com/jeannemoran.author/
https://www.youtube.com/channel/UCUu5e32rKDY2CPkkIv8ZH_Q

To purchase book:
https://www.amazon.com/dp/B07KGHFQLH
https://www.barnesandnoble.com/w/the-path-divided-jeanne-moran/1130061077?ean=9781987019278
https://www.indiebound.org/book/9781728729152

Author Aya Khalil on Writing from Personal Experience

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Hello world!

Welcome to my book blog. For this Q & A, please welcome author Aya Khalil. Her forthcoming picture book, The Arabic Quilt, will be published by Tilbury House. She explains her journey below.

But first, YAY! Aya is generously giving away a FREE copy of one of her favorite picture books, The Proudest Blue by SK Ali & Ibtihaj Muhammad. To enter the contest, follow me on Twitter (@LydiaLukidis) and leave a comment below. (US residents only, ends Dec 12, 2019)

Can you describe the journey to publication for this book?
I started writing this book in the fall of 2018. I queried agents and sent it directly to publishers as well and received many rejections. So I took a step back and carefully looked over my manuscript again, joined critique groups, joined SCBWI, asked authors friends for advice and was offered representation by an incredible agent, Brent Taylor, in March 2019. We signed with Tilbury House in the summer and announced it a couple of months later.

Where did you draw the book’s inspiration?
My book is actually based on true events from my childhood. I immigrated to the US when I was one years old with my older brother and parents from Egypt. I had an incredible teacher in third grade who made me feel welcome and encouraged me to be proud of who I was. She did the exact same project I wrote about in the book. Over twenty years ago, my teacher did this one lesson in class that I still remember until this day and I made it into a book.

Please share some of your writing process.
I write and revise. I take lots of breaks because I have three children – and one of them is just an infant! It’s been hard to write consistently but I write when she naps and the older two are at school or late at night.

When did you first realize you wanted to be a writer?
I’ve always loved writing ever since I was young. I wrote in diaries, wrote poetry and read a lot when I was in elementary school. In college I studies English literature and communication and became a journalist and then got a master’s degree in Education and taught for a while. One day a couple of years ago I said, enough is enough, I am going to write and publish a book.

Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?
I am working on a couple of manuscripts. I love writing picture books but would love to explore MG.

Please share your favourite kidlit books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?
I have so many. But definitely Lailah’s Lunchbox by Reem Faruqi (recent book) because it was one of the first picture books that was traditionally published by a Muslim author with Muslim characters. Classic one that I loved growing up was Corduroy because of the friendship and love theme and I have fond memories of my mom reading it to me.

What is the best (one) piece of advice you would give to other writers?
Write from your heart and the words will flow.

And a bonus Q- If you could be any flavour of ice cream, which one would you be and why?
Pistachio ice cream because it’s a little different but once you try it you will enjoy it.

BIO
Aya holds a master’s degree in education with a focus in teaching English as a second language.  She’s a freelance journalist whose work has been published in The Huffington Post, The Christian Science Monitor, Toledo Area Parent and many others. She’s been featured in Teen Vogue, Yahoo! and other publications. Her debut picture book, THE ARABIC QUILT, will be published February 4th, 2020 by Tilbury House. Besides writing and teaching, she enjoys spending time with her family, traveling and exercising.

Social Media:
Twitter: @ayawrites
Instagram: @ayakhalilauthor
www.ayakhalil.com

Book links:
https://www.amazon.com/Arabic-Quilt-Immigrant-Story/dp/0884487547
https://gatheringvolumes.com/?q=h.tviewer&using_sb=status&qsb=keyword&qse=Lx5EcNkwUDf1eP1tcXuqrQ
https://www.barnesandnoble.com/w/the-arabic-quilt-aya-khalil/1131983222?ean=9780884487548&st=PLA&sid=BNB_ADL+Core+Good+Books+-+Desktop+Low&sourceId=PLAGoNA&dpid=tdtve346c&2sid=Google_c&gclid=EAIaIQobChMI2_u1op6r5AIVBdbACh15mARrEAQYASABEgKVDvD_BwE

Author Kelly Lenihan on the Importance of Editing

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Hello world!

Welcome to my book blog. For this Q & A, please welcome author Kelly Lenihan. Her new picture book, Adventures of Pig and Mouse: An Unusual Friendship , was published by Artisan Bookworks. She explains her journey below.

But first, YAY- Kelly is generously giving away a FREE copy of her book! To enter the contest, click HERE. (US residents only, ends Nov 27, 2019)

Can you describe the journey to publication for this book?
Adventures of Pig and Mouse: An Unusual Friendship is my fourth published children’s picture book (that’s not including the foreign language editions or coloring books based on the picture books). Illustrated by Anya Macleod, the artwork is colorful and playful, exactly what I envisioned. The story and illustrations came together easily, both the illustrator and I enjoyed the creative process. Published November 1, 2019 by Artisan Bookworks, the book is available on Amazon or by request from libraries and bookstores.

Where did you draw the book’s inspiration?
The inspiration for Pig and Mouse’s first adventure was my own childhood love of collecting treasures from nature: rocks, seed pods, leaf skeletons, feathers, abandoned bird nests, shells, etc. Often, these collections were started on the fly during a trip to the beach or a hike in the woods. My kids even contributed to my “science museum” throughout their own childhoods. Now that they’re grown, the collections have been condensed into a large curio cabinet in my living room. I still add the occasional rock, seed pod or feather — my eyes never stop seeking. To this day, I love to examine my collections and enjoy showing visitors my latest acquisitions — the thrill never truly goes away!

Please share some of your writing process.
I keep a running list of picture book ideas—currently it’s at 75—which can come from something I’ve seen or heard, a picture, just about anything can trigger an idea for a story. When I’m ready to start writing a new story, I scroll through my idea list to see what jumps out at me and start writing. For fiction, I can usually write a rough draft in one sitting, but the editing, polishing and fine-tuning takes a heck of a lot longer. Once I’ve been through a few rounds of self-edits, I share my manuscript with a critique partner and several beta readers for feedback. And of course, if it’s nonfiction, who knows how long it can take? I’ve been working off and on on a children’s birding field guide for almost nine months—there is a lot of research involved and then parsing it down into child-friendly bites.

When did you first realize you wanted to be a writer?
Hmm, I guess I’ve always been a writer. From childhood through my college years, I was forever making up stories, often writing them down. I can remember sitting on the curb during school recess, writing stories and sketching while the other kids played. After completing an Associates Degree in Business and a B.A. in General Arts from the University of Washington, I entered the workforce. Throughout my life, this passion to write and to create has been the impetus for my career choices, including stints in editorial positions at magazines—both print and online—which eventually segued into the digital design world as I began overseeing corporate websites. Never losing my penchant for writing; I’ve been published in various magazines and enjoyed my own newspaper column for several years. When I became a parent. I delighted in sharing my love of the magical world of books by reading aloud to my two boys. Many nights, my younger son would place his tiny hand on mine while looking up with big, brown hope-filled eyes, (most likely as a stalling tactic) and plead for “one more story”—how could any parent refuse? So in the moment, I began making up stories. Fortunately, the ones my son had me tell over and over, I was smart enough to write down. Two of those stories were my first picture books to be published, The Skipping Stone, and Goober and Muffin, now available in five languages.

Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?
The pull of creative writing has remained a common thread through everything I do—it is a wonderful outlet for all the information and ideas swirling around in my head. As a former teacher of multicultural arts and horticulture, I’ve been moving towards writing nonfiction picture books drawing from my own interests and passions. Currently, I am working two books that share my love of birds. The first one is a children’s field guide, Backyard Birds of Puget Sound, which I am really excited about. There are 70 birds included in the book and the illustrations are gorgeous. The second book evolved after two years of observing and photographing a family of bald eagles, from hatching to first flight. I loved watching the eaglets grow and the family dynamics were fascinating—compelling me to share what I learned and observed in my forthcoming children’s picture book, The Majestic Bald Eagle, which will be illustrated with my photography. I started out by selecting the photos to be used and then did my research to cull information to complement the series of photos. The book covers everything from habitat, behavior, diet and more. And after that will be a children’s gardening book, and then a children’s book featuring lore, crafts and recipes from around the world—I have a lot to draw from, from the curriculum I created back when I was teaching.

Please share your favourite kidlit books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?
My goal with my picture books is to always have extra special little details in the illustrations so the reader will spy something new with each reading. I really enjoy Animal Cafe by John Stadler. The story is a lot of fun and the illustrations are adorable. You can’t help but want to read the book over and over, laughing out loud at some of the predicaments. The illustrations complement the story really well. A recent picture book I love is What Would You Do With an Idea? by Kobi Yamada. The illustrations start out as black and white drawings, and with each page turn, more color is added, until by the end of the story, the little boy figures out what to do in glorious full color. The exquisite illustrations are compelling, drawing you in to really study the details to see what changes with each page turn.

What is the best (one) piece of advice you would give to other writers?
Don’t skip the editing process! Having your manuscript professionally edited is one of the most critical steps in the publishing process. As the author, you are so familiar with your book, your mind will convince you that what you expect to see is what you are seeing. And, unfortunately, Microsoft Word’s spell checker and grammar checker are unreliable — they don’t know your intentions and often correct things that are already correct or ignore things that are wrong. Choose your editor wisely—not your mom, not your best friend—not even your ninth-grade English teacher! Hire someone specifically trained in book-editing skills in your genre. It makes all the difference.

And a bonus Q- If you could be any flavour of ice cream, which one would you be and why?
That’s a tough one—probably mochi ice cream— ice cream wrapped in a thin layer of chewy mochi dough, for a refined yet playfully delicious dessert experience. You bite into a chewy, almost flavorless rice cake and are surprised with a cold burst of bright flavor. Imagination in every bite! My favorite right now is sweet, tangy mango, which reminds me of me—a somewhat shy person on the outside, with a surprise quirky playful inside.

BIO
Kelly Lenihan has always approached life from a unique vantage. Often inspired by nature; her discoveries in nature, food, and art fuel her creativity. Through her writing and art, she delights both in sharing her knowledge and helping others perceive the world with new eyes. Passionate about sharing her love of curiosity, creativity and exploration, Kelly started writing books for children in 2012 (two are in five languages). She writes fiction and nonfiction for ages 2-10. Kelly is an active food blogger, avid birder and hobbyist photographer. Following her lifelong penchant for writing and the power of stories, Kelly is working on more children’s picture books, as well, she has a couple cookbooks in the works. In addition to authoring her own books, Kelly enjoys assisting indie writers on their publishing journeys.

Social Media:
Author website: kellylenihanbooks.com
Author Services website: artisanbookworks.com
Facebook: https://www.facebook.com/kellylenihanbooks/
Twitter: https://twitter.com/kellylenihan
Instagram: https://www.instagram.com/kelly_lenihan/
Pinterest: https://www.pinterest.com/kelly_lenihan/
Goodreads: https://www.goodreads.com/author/show/7451754.Kelly_Lenihan
Amazon: amazon.com/author/kellylenihan

Book links:
Adventures of Pig and Mouse: An Unusual Friendship is available on Amazon: https://smile.amazon.com/Adventures-Pig-Mouse-Unusual-Friendship/dp/0999120093/
Her new book The Majestic Bald Eagle is available for pre-order. It will ship Spring, 2020. https://www.kellylenihanbooks.com/my-books/majestic-bald-eagle/

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