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Q & A with nonfiction author Laura Purdie Salas

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Hello world!

Welcome to my book blog. For this Q & A, please welcome the talented author Laura Purdie Salas, whose engaging nonfiction books serve as mentor texts for me (and countless others). Check out what she has to say about her new book Snowman-Cold=Puddle:

Can you describe the journey to publication for this book?
I had been submitting manuscripts to the awesome Alyssa Pusey at Charlesbridge for several years. A couple had come close, but nothing had been the perfect fit.  I first sent her just the equations–no sidebars, though I envisioned sidebars from the beginning. After she expressed interest, I did a revision (maybe two) and added the sidebars (an early version of them). Then Alyssa took the manuscript to an acquisitions meeting, and I got the good news that I would finally get to work with her. (“Good news! Equations + poems + science = high publisher interest!”) I got to have a lot of input into the choice of illustrator and the concept of how the book would look. It was such a great collaboration between illustrator Micha Archer, the Charlesbridge team, and me, even though of course Micha and I never talked directly with each other. (I also share more about the path to publication for this and my other two spring 2019 books in this video: https://youtu.be/iOUtTtQKDRY)

Where did you first draw inspiration the book’s inspiration?
The inspiration for this book came strictly from the format. I was brainstorming different ways to share nonfiction content with kids, and in my picture book ideas list, I wrote: “___ + ___ = _________. Bees + flowers = honey. Short equation. Then longer prose explanation. All science-related. BECAME SNOWMAN – COLD = PUDDLE!”

Please share some of your writing process.
Because the format came first, my writing process started with spewing out dozens and dozens of equations on tons of different topics. Eventually, I realized I needed to narrow things down. First, I tried a year in a park–all four seasons. It still felt too jam-packed. So I decided to focus on spring. So much transformation happens in spring, and equations are all about how different elements change each other to create some new result. I did a lot of research to get the chronology of these spring events in a typical, logical order. And I spent a lot time on the language in the sidebars, too. I wanted the prose there to be just as playful and inventive as the equations themselves.

Why are you drawn to nonfiction?
I like to write all sorts of things, but I do think nonfiction calls to me because I’m 1) curious and 2) constantly amazed by our incredible world. I hope introducing kids to how cool the world is will lead to their loving it and valuing it.

Do you have other WIPs or projects in the pipeline you would like to mention?
I hope to keep having more and more picture books come out–and maybe some easy readers, too, though those are very hard to sell! In the next 12 months, I’ll have three books come out: Snack, Snooze, Skedaddle! How Animals Get Ready for Winter (rhyming non-fiction, Millbrook, 2019); If You Want to Knit Some Mittens (humorous nonfiction, Boyds Mills Press, 2020); and Clover Kitty Goes to Kittygarten (fiction, Two Lions, 2020).

Please share your favorite kidlit books that have inspired you and served as mentor texts.
I’m going to call Dav Pilkey’s 1999 God Bless the Gargoyles my “classic” book. Does that count? When I read that melancholy story full of yearning and fell into its saturated art, my mind spun with the possibilities of the kinds of moods and stories picture books could share. Lola Schaefer’s An Island Grows is a book that made me see nonfiction picture books in a whole new way and introduced me to the idea of rhyming non-fiction. So many other books have inspired me, of course, but those two I clearly remember making a little bell ding in my head. An Island Grows was definitely a mentor text when I wrote A Leaf Can Be….

What is the best piece of advice you would give to other writers?
You learn more from writing five different picture books than you do by polishing the same picture book manuscript for five years. Don’t be afraid to let go of a manuscript (even a good one) and move on to the next one!

Bonus Q- If you could be any flavour of ice cream, which one would you be and why??
Amaretto with toffee bits–because it’s a good mix of the familiar and the unexpected. I’m a pretty ordinary, everyday person, but I’m of course weird in many ways.

Portrait of Laura Purdie Salas on Wednesday, Dec. 6, 2017, in Plymouth, Minn. (HMH/Andy Clayton-King)

BIO
Laura Purdie Salas has written more than 125 books for kids, including Meet My Family!, If You Were the Moon, Water Can Be…, and BookSpeak! Her books have earned the Minnesota Book Award, NCTE Notables, starred reviews, and more. She offers resources for children’s writers at https://laurasalas.com/writing-for-children/ and has a Patreon community with extra resources for Patrons: https://www.patreon.com/LauraPurdieSalas  She enjoys teaching and speaking at writing conferences around the country.

site: https://laurasalas.com/
Twitter: @LauraPSalas
Facebook: https://www.facebook.com/LauraPSalas/
Newsletter for kidlit writers: https://laurasalas.com/sign-up-for-a-writer-can-be/
Patreon community: https://www.patreon.com/LauraPurdieSalas
Writing for Children Facebook Group: https://www.facebook.com/groups/WritingForChildren1/

Q & A with author Hannah Holt

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Hello all!

Welcome to my book blog. For this Q & A, please welcome the talented author Hannah Holt. Her engaging nonfiction book The Diamond and the Boy: The Creation of Diamonds & The Life of H. Tracy Halls blew me away with its lyricism. I was grateful she took the time to answer some of my questions about her writing experience.

Can you describe the journey to publication for this book? And in your case, the journey to finding the right agent?
From the beginning, I knew wanted an agent. Agents can submit work more widely and also keep better tabs on what editors want. In theory, my agent would watch the market for me, so I could spend more time focused on writing. In practice, it was a little more complicated.
My first agent was Danielle Smith. She is no longer working in the industry.
My second agent was Laura Biagi. She is no longer working in the industry, but before she left, she sold my first two books.
My third agent was another agent at the same agency as Laura and took over my work after she left. I liked her a lot; however, I wanted to be at an agency focused more exclusively on children’s literature.
I’m now with Jennifer March Soloway at the Andrea Brown Literary Agency. Jennifer has been great to work with. While this business if full of twists and turns, I plan to stay where I’m at for a long, long time. Publication has been a long and winding road for me. Over the years, I’ve accumulated well over 100 rejections.

Where did you draw the book’s inspiration?
The Diamond and the Boy is a biography of inventor Tracy Hall—my grandfather. He built a machine that turns graphite into diamond. The idea to write his biography was simple enough, but how to tell the story eluded me for years. I took the story in a dozen different directions before landing on the dual narrative with graphite.

Please share some of your writing process.
I wrote over eighty drafts of this story before it sold. I’m someone who write and rewrites over and over again. In fact, I wrote another post sharing thirteen different openings I tried for The Diamond and the Boy.

When did you first realize you wanted to be a writer?
I wrote my first complete novel in fourth grade (forty handwritten pages). My early journals are also filled with poetry. I’ve always enjoyed writing, although it wasn’t until my thirties that I decided to pursue it as a career.

Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?
I’m working on a middle grade novel and have several picture books close to completion. I’m hopeful for upcoming submissions and looking forward to drafting several new stories this year.

Please share your favourite kidlit books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?
Alexander and the Terrible Horrible No Good Very Bad Day: I vividly remember sitting on the carpet during library time while hearing this book for the first time. I was six or seven years-old and remember thinking, ‘Yes, that’s exactly what a bad day feels like.’ That sense of connection lingered long after storytime finished.
The Remember Balloons: This book beautifully captures the frustrations and longings family members experience as an older family member goes through Alzheimer’s. My grandfather—Tracy Hall—suffered from Alzheimer’s, and The Remember Balloons treated the subject in a unique and child-friendly way. I’ll rave about it to anyone who will listen.

What is the best (one) piece of advice you would give to other writers?
There is no deadline for success. Take your time, learn your craft, and find the right publishing path for YOU!

And a bonus Q- If you could be any flavour of ice cream, which one would you be and why?
Tillamook Mudslide Ice Cream because it’s twisting veins of fudgey goodness are like a treasure hunt in a bowl.

BIO

Hannah is a children’s author with an engineering degree. Her books, The Diamond & The Boy (2018, Balzer & Bray) and A Father’s Love (2019, Philomel) weave together her love of language and science. She lives in Oregon with her husband, four children, and a very patient cat named Zephyr. She and her family enjoy reading, hiking, and eating chocolate chip cookies.

Website: https://hannahholt.com/
Blog: https://hannahholt.com/blog
Twitter: @HannahWHolt

Q & A with nonfiction author Melissa Stewart

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Hello all!

Welcome to my book blog. For my first Q & A, please welcome the talented author Melissa Stewart, whose engaging nonfiction books serve as mentor texts for me (and countless others). Check out what she has to say about her new book Pipsqueaks, Slowpokes, and Stinkers: Celebrating Animal Underdogs:

Can you describe the journey to publication for this book? Did you have an agent and how did that come about?
No, I didn’t have an agent when Pipsqueaks, Slowpokes, and Stinkers: Celebrating Animal Underdogs was acquired in 2015. I’ve been working with Peachtree Publishing Company since 2001, and I’m grateful that my editor saw the potential in the Pipsqueaks manuscript. I’m now working with Tricia Lawrence of the Erin Murphy Literary Agency. I was referred to EMLA by author and friend Cynthia Levinson.

Where did you first draw inspiration for the “animal underdog” theme?
I’ve been fascinated by animal superlatives for as long as I can remember. After all, who doesn’t admire the world’s biggest, fastest, strongest creatures? But in early 2013, I began thinking about anti-superlatives—the smallest, slowest, weakest animals. Maybe I could write a book about them.
One morning, I woke up with the beginning of the book in my head:
“Everyone loves elephants. They’re so big and strong.
Everyone respects cheetahs. They’re so fast and fierce.
But this book isn’t about animals we admire. It’s about the unsung underdogs of the animal world. Don’t you think it’s time someone paid attention to them?”
It was a gift—but it came with a price. I realized that this wasn’t going to be just an anti-superlative book. It was going to be an anti-bullying book, too. And to write it, I’d have to revisit the bullying that I endured as a child.
I wasn’t ready for that, so I shut the file, and I didn’t come back to it for months and months. But eventually, I felt prepared to face my past. I was a clumsy, uncoordinated, unathletic kid, so the western fence lizard in the book represents me.
In the end, Pipsqueaks, Slowpokes, and Stinkers: Celebrating Animal Underdogs is a book about animal adaptations and celebrating the traits that make us different and unique. I think pretty much every child has felt like an underdog at some point, so I hope the book will resonate with readers.

How do you go about researching your books?
No two books are the same, but I generally begin by drawing information from the nature journals I’ve been keeping since 1989. Additional information comes from books and articles and conversations with scientists and naturalists. I often use the internet to track down the experts I interview.

When did you first realize you were drawn to the world of nonfiction, and what is the appeal for you?
Many writers gravitate toward fiction because they love to invent characters and create made up worlds, but for me, the real world is so amazing, so fascinating that I just want to learn as much as I can about it and share it with other people. That’s why I write nonfiction.

Do you have other WIPs or projects in the pipeline you would like to mention?
In 2014, uber-talented illustrator Sarah S. Brannen and I published a book called Feathers: Not Just for Flying. The minute I saw the sketches for the last page of that book, I envisioned another similar book about seashells and dove into the research. We are so pleased that Seashells: More than a Home will be published on April 2.

Please share your favorite kidlit books that have inspired you and served as mentor texts.
Oh my, there are too many to name. Some of my favorite authors include Steve Jenkins, April Pulley Sayre, Jess Keating, Cynthia Jensen-Elliott, Diana Hutts Aston, Lita Judge, Nicola Davies, Owen Dewey, Joyce Sidman, Jennifer Ward, Heather Montgomery, Candace Fleming, Deborah Heiligman, Elizabeth Partridge, Gail Jarrow, Patricia Newman, Sandra Markle, Loree Griffin Burns, Sarah Albee, and Barb Rosenstock.
This is really a golden age for nonfiction. Authors are experimenting in all kinds of ways and stretching in new directions. It’s so exciting! I can’t wait to see what my colleagues come up with next.

What is the best piece of advice you would give to other writers?
It’s pretty simple: Keep on writing! Being a writer is full of challenges and frustrations and so many things we can’t control. But we can control how much time and energy we devote to honing our craft.

Bonus Q- If you could be any flavour of ice cream, which one would you be and why??
Chunky Chocolate Pudding ice cream from Bedford Farms in Bedford, MA. It’s my favorite.

BIO
Melissa Stewart is the award-winning author of more than 180 nonfiction books for children, including Pipsqueaks, Slowpokes and Stinkers: Celebrating Animal Underdogs, Can an Aardvark Bark?, and No Monkeys, No Chocolate. She is the co-author, with Nancy Chesley, of Perfect Pairs: Using Fiction & Nonfiction Picture Books to Teach Life Science. Melissa’s highly-regarded website features a rich array of educational resources for teaching nonfiction reading and writing.

Website: https://www.melissa-stewart.com/
Blog: http://celebratescience.blogspot.com/
Twitter: @mstewartscience
Facebook: https://www.facebook.com/melissa.stewart.33865
Pinterest: https://www.pinterest.com/mstewartscience