giveaway

Win a Free SLUSH PILE Pass from Blue Whale Press!

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Hello world!

You’re in for a treat! I interviewed my most recent publisher, Blue Whale Press and got to chatting with Alayne Christian, content development and acquisitions editor, as well as co-owner. Here’s what her publishing house is up to, what they’ve published, and what projects are in the pipeline.

But here’s the best part: You can WIN A FREE SLUSH PILE pass! That’s right, one lucky winner will avoid the slush pile and get a VIP directly-to-the-front of line invitation to submit to Blue Whale Press. All you have to do is comment on this blog with a ONE line pitch detailing your story. Contest ends December 20, 2019. Good luck!

****Contest ended now****

 

Lydia: Please tell us about your recent, current and forthcoming books.

Alayne: Oh my goodness, that’s a lot of ground to cover! I’m so excited about our 2019 books, and we have a lot of top-notch books coming in 2020 as well. I hope my answer doesn’t overwhelm readers. But before I move on, I want to thank you, Lydia, for inviting me to be interviewed for your blog.

BOOKS RELEASED IN 2019

NO BEARS ALLOWED

By Lydia Lukidis (Congratulations, Lydia!) and illustrated by Tara J. Hannon is a multifaceted story. Please see Amazon reviews to read about the various messages that people have found in this very special book. It has so many layers and beautiful messages—all hidden inside a seemingly simple and classic story about a rabbit and a bear.

Rabbit is afraid of many things, but most of all he’s afraid of gigantic, monstery, BEARS! The very nervous Rabbit is soon confronted by his worst fear who appears to be far more interested in making new friends than causing Rabbit any real harm. Despite his apprehension, Rabbit agrees to join his jovial new acquaintance for dinner, but wait a minute . . . is Bear planning to “have” Rabbit for dinner? In this tender story about a very nervous rabbit and a lovable bear, Rabbit discovers that things aren’t always as scary as they seem, and sometimes you may just have more in common with others than you think.

“As Rabbit gets to know one real Bear, he discovers the roots of prejudice and changes his mind about generalizations. . . These excellent revelations encourage kids to face their fears and think about not just the reality of danger, but different personalities and choices involved in interacting with the world with notions that don’t stem from personal experience” —D. Donovan, Sr. Reviewer, Midwest Book Review

PORCUPETTE AND MOPPET

Porcupette and Moppet by Nadine Poper and illustrated by Alicia Young is an educational and funny story about a baby porcupine and a fisher.

Porcupette loves to spend days alone in the quiet forest reading. But when Moppet, a bumbling predator, comes along with his silly antics and non-stop rambling, Porcupette’s sanctuary is turned topsy-turvy. When Moppet finally makes his move, they both get a big surprise that suggests Moppet should read more, and Porcupette should listen more carefully. Alicia Young’s delightful art brings even more life and humor to Nadine Poper’s fun and educational story about a porcupine, a fisher, and their natural relationship in the wild.

Porcupette and Moppet was featured in the November 2019 issue of Kirkus Reviews magazine. Here is the link for the full Kirkus review. https://www.kirkusreviews.com/book-reviews/nadine-poper/porcupette-and-moppet/

“A fine lesson in differences, predators and prey, and the value of information. . . . Highly recommended both for its leisure value and its pointed insights about different personalities and creatures, Porcupette and Moppet is a lovely picture book that promises lasting attraction and interest to parents and library collections alike.” —D. Donovan, Sr. Reviewer, Midwest Book Review

RANDALL AND RANDALL

Randall and Randall, also by Nadine Poper, is also funny and educational, but it has heart as well. Polina Gortaman’s art is a feast for eyes—young and old.

Randall, the pistol shrimp, is a master at excavation. Randall, the goby fish, is his skittish, yet happy-go-lucky watchman. The problem is that both have quirks that drive each other bananas until one day their relationship is driven to the breaking point. This very funny informational-fiction story about one of the sea’s naturally-existent odd couples illustrates how certain species depend upon their symbiotic relationship for survival. It also shows children how two very different beings can embrace each other’s peculiarities and become best of friends.

With a foreword written by Dr. John E. Randall, senior ichthyologist emeritus, Bishop Museum, Honolulu, Hawaii, Randall and Randall received the prestigious Kirkus Review Blue Star. It has been featured in Kirkus Reveiws magazine twice and was one of their books of the month in November. Here is the link for the full Kirkus review https://www.kirkusreviews.com/book-reviews/nadine-poper/randall-and-randall/

WHO WILL? WILL YOU?

Who Will? Will You? by Sarah Hoppe, and illustrated by Milanka Reardon, is another picture book that educates.

Lottie makes an unusual discovery while beachcombing one day. She’s found a pup, but it’s not your ordinary pup. Lottie quickly decides that she needs help. “Who will care for this little lost pup?” she asks along the beach. “Will you care for this little lost pup?” But no one wants her pup. Just when she is ready to give up, Lottie finds the perfect person to take care of her very special find. Children are kept guessing throughout this beautifully illustrated story what kind of creature Lottie has found while they learn about nature’s different kinds of pups along the way. This title was also featured in the Kirkus Reviews Magazine.

“A beautifully illustrated tale that’s sure to appeal to animal lovers and budding environmentalists. . . . Reardon’s realistic pastel-and-ink illustrations, populated with humans with a variety of skin tones, do an excellent job of hiding the identity of the pup and showing the adults’ shocked expressions.” —Kirkus Reviews

BOOKS COMING IN 2020

A HORN IS BORN by Bill Borders, and illustrated by Melizza Chernov

Surrounded by the hustle and bustle of musicians in a backstage room, Shoehorn has nothing to do but slide stocking feet into shoes, and life is dull. But he knows he is destined for something greater—something that will rival the group’s trio of bullies: Trumpet, Trombone, and Flute. Shoehorn takes their bullying in stride and refuses to let those blowhards dent his pride. He waits patiently for his big break until one day, with a twist of fate, Shoehorn saves the day and shines brighter than the best-in-the-band.

MISADVENTURES OF A MAGICIAN’S SON, written and illustrated by Laurie Smollett Kutscera

Twelve-year-old Alex was taught illusion by the best. Misadventures of a Magician’s Son tells the story of Alexander Finn’s personal journey dealing with the death of his father, a celebrated magician, and the extraordinary gift he left behind. Uprooted from his childhood home for the seemingly hokey town of Orchard, Maine, Alex refuses to unpack and wants nothing to do with his new surroundings. But when he discovers an unusual deck of animated cards tucked in the back of his father’s old desk, things begin to unravel and Alex’s true adventure begins.

OLD MAN and HIS PENGUIN: How Joao Pereira de Souza Became an Honorary Penguin by Alayne Kay Christian and illustrated by Milanka Reardon

Based on a true story, Joao and Dindim make an odd pair—an old man and a young Magellanic penguin. But Joao loves Dindim, and Dindim loves Joao. They are family. When Joao rescues a lifeless, oil-covered penguin and nurses him back to health, the penguin adopts Joao as an honorary penguin. The steadfast friends do everything together. But there are real penguins somewhere across the sea. So Dindim leaves Joao. Village people tell Joao the penguin will never come back. Joao cannot say if he will or will not until . . . he does, again and again.

A TRAIN A MOOSE AND A MESS by Joan Sloane and illustrated by Mary Beth Benton

ALL ABOARD! A ringmaster is anxious to find his next great act. But when his circus train is forced to make an emergency stop for a moose asleep on the tracks, he must use his whistle to wake it. The moose doesn’t flinch, but the travel-weary animals on board mistake the familiar sound for their cue to leave. A rollicking chain of events follow in their path and an unexpected star is born.

SIENNA, THE COWGIRL FAIRY: COWBOY TROUBLE by Alayne Kay Christian, and illustrated by Blake Marsee

Aunt Rose is getting married, and guess who she’s asked to be her flower girl. Sienna’s sadder than a coyote without a howl. “I’d look mighty silly in a dress. I’d trip over my own feet in them fancy shoes. And I ain’t much good at manners neither.” Ma signs Sienna up for cowgirl charm school where Sienna discovers she’s even worse at being elegant than she thought she’d be. To make matters worse, Billy Bob and his band of bullies see Sienna in her charm school clothes and raise a ruckus. Maybe Sienna can teach those cowboys a thing or two about manners and poise. But can she learn enough at charm school to walk down the aisle without embarrassing herself and Aunt Rose?

UNTIL WATER MAKES MUD by Janie Reinart and illustrated by Morgan Taylor

When war forces two sisters to flee their home in South Sudan with nothing but the clothes they are wearing, Big Sister strives to help Little Sister smile again at the refugee settlement. But as quickly as Little Sister’s smile appears, it disappears: that is until water makes mud. In the end, Big Sister’s artistry and kindness brings hope to their situation. This title is a tribute to the resourcefulness of children who have no toys, but continue to play and is dedicated to the 200,000 refugee children living at the Bidibidi settlement in Uganda.

THE WEED THAT WOKE CHRISTMAS: The Mostly True Story of the Toledo Christmas Weed by Alayne Kay Christian and illustrated by Polina Gortman

The story of a small gesture that turned into a phenomenon that was seen around the world. Partly truth and partly fiction, based on the inspiring true story of how the Toledo Christmas Weed helped spread the giving spirit far beyond its traffic-island home. All Weed wants is to be seen, but people are in too much of a hurry to notice each other, let alone Weed. Weed watches, wishes, and waits until finally someone does see it. But Weed discovers that there is something far bigger and more important than a little weed being noticed.

YOUR NURSERY IS AN EVERYWHERE by Carol Bullman and illustrated by Maureen McAfee

Having a baby opens up the world in so many ways, but it also closes it off in the sweetest of ways. “It seems, inside this little room, the walls are fading clear, and all the beauty in the world, is shining on us here.” In this beautifully written and illustrated book, a mother and baby savor the coziness of “now” in the nursery while the mother has expansive dreams for her baby’s future. The wall fades away, and the magical dreams come alive before readers’ eyes!

Lydia: You’re a published writer yourself, so what made you create your own publishing house?

Alayne: I’m sorry, but this is another long story 😉 Early in my writing career, I had written a picture book titled Butterfly Kisses for Grandma and Grandpa, and my husband Steve, who is experienced in starting businesses and operating them, decided that he would start a publishing company and publish it himself. After finding an illustrator, he contracted a designer, multiple editors and an intellectual property rights lawyer, and Blue Whale Press was born. Unfortunately or fortunately, his career took a sudden upturn combined with a corporate relocation, and he decided to put Blue Whale Press on hold for a while. My decision to find a new home for Sienna, the Cowgirl Fairy: Trying to Make it Rain just happened to coincide with his retirement from the corporate world, and he invited Sienna to Blue Whale Press. That’s when his old passion and dream reignited. He suggested that we would make a fantastic team in restarting Blue Whale Press. I thought about it, and he was right. Everything that my career path has resulted in has led me straight to Blue Whale Press. Our family enterprise combines Steve’s business savvy with my knowledge of children’s book writing, critiquing, and editing—and my desire to help aspiring writers and illustrators. We opened our doors to submissions and discovered some spectacular stories and talent. Our catalog is growing, and Sienna now has lots of good company.

Lydia: What are the challenges of running a small press?

Alayne: There are many challenges, but there are also many rewards. I believe we have published some outstanding, and what really should be award-winning, books. So, for me, the hardest pill to swallow as a small publisher is not being able to get seen and recognized. We are like the tiniest fish in a very large pond. Places that support larger publishing houses won’t give us the time of day. For example, it seems getting a review from some of the top reviewers isn’t possible, regardless how much a book stands out or how good it is. Small independent publishers seem to be lumped in with self-publishing. Right now, there doesn’t seem to be a good place for publishers like us. I really wish good small publishers could be recognized as “real” publishing houses. Thank goodness, SCBWI has recognized us and Kirkus Reviews and Midwest reviews have both provided honest reviews that recognize many Blue Whale Press books for the exceptional works they are.

Lydia: What do you love the most about your work at Blue Whale Press?

Alayne: I love discovering the gems in the submission process. I really enjoy being creative director. But more than anything, I love making authors’ and illustrators’ dreams come true. To see their story come to life and make their way out into the world can bring tears for me. And then when we get some sort of recognition, such as the Kirkus Reviews Blue Star for Randall and Randall, it’s icing on the cake for authors and illustrators. So, I’m tickled to death when I get to share that kind of news.

Lydia: What is on your current manuscript wish list?

Alayne: Bill Borders, author of our 2020 picture book A Horn is Born, recently came up with a fun way to describe, some of our books. Randall and Randall, Porcupette and Moppet, and Who Will? Will You? all fit his word for it. He calls them “Functional” books. “Fictional, yes, but full of fun facts,” he says. We’ve been calling them informational fiction. I think someone once coined the term faction. Nevertheless, we seem to like these fictional stories that also educate. But they still need to have great arcs along with humor or heart, and unique characters never hurt.

We want unique stories that stand out from all the rest. Believe it or not, this is hard to find. We seem to gravitate toward humor, but we would love some stories that tug at the heartstrings, but again, in a unique standout way. We like stories that make us smile, laugh, or cry. The writing and character voices in all of our stories stand out. And they each have an arc that provides tension and lots of page-turners that make me absolutely have to know what is going to happen next. Now, having said all of that, we do have a few books that have subtle arcs, but they are so lovely and touching a subtle arc is all that these stories require. I also enjoy books that paint pictures with their words.

The best thing I can suggest is to read the Blue Whale Press books, and you will get a feel for what we are attracted to. We’ve learned that people who want to read our books have good luck getting them in their library by asking the librarian for them.

Lydia: What are the DOs and DON’Ts of query letters?

Alayne: I personally don’t concern myself with the query letter that much in our submission process. I don’t read the query letter before the manuscript because I believe it influences my experience of reading the manuscript for the first time. I want the story to speak for itself. If I like what I see in the story, I will read the query to learn more about the person who wrote the story. I will also sometimes refer to the query letter if I’m not “getting” the story or if I am confused about something in the story. This is usually not a good sign because it’s often an indication that the story needs more work. But once in a great while, gaining a little more understanding of what the author’s intention is sheds new light that pays off.

Even though, this is my process, I feel a query letter should still be well written.

I don’t get overly sensitive about things, such as whom the letter is addressed to. I have received letters addressed to agents or editors that have nothing to do with Blue Whale Press. Even that doesn’t bother me. However, there are plenty of agents and editors who might reject the submission for that.

This isn’t really “query letter” related, but I will say that one thing that bothers me more than anything is when it is very clear that the person has not read the submission guidelines or did not read them carefully. When we receive submissions outside of our submission window, it seems to me that the person didn’t bother to read our submissions page. When we get attachments instead of stories pasted in the body of the email, it is clear to me that the person either didn’t read the guidelines at all or did not pay close enough attention. It is super hard for me to ignore submissions with attachments or submissions sent outside of the submission window. But I have started doing so because I believe it is unfair to those who have taken the time to read the guidelines and respect what we have worked so hard to provide to anyone who would like to submit.

Again, this isn’t really about the query “letter” but don’t submit every story you have ever written in one submission.  Our guidelines clearly state “However, there are many reasons for rejections, so feel free to submit other manuscripts during open submission periods only, but no sooner than one month following your previous submission.” Still, I have received as many as forty (yes, you read that right: forty!) stories in one submission. That is worst case, of course. But it is not uncommon to receive more than one story from an author within the same one-month submission window.

So, my number one advice isn’t as much about query letters as it is about READ THE SUBMISSION GUIDELINES CAREFULLY (no matter who you are submitting to) and then follow them carefully.

When it comes to query letters, I wouldn’t do it nearly the same justice by giving my two cents as I would by providing the following KidLit411 link. The “all about query letters” resource list is excellent!

http://www.kidlit411.com/2014/01/query-letters.html

Lydia: What are your favorite kidlit books that have inspired and mentored you as a writer?

Alayne: This is a question that I always find impossible to answer. And I really don’t like answering it when there is a possibility that authors will be reading this interview. It’s like giving a speech at an award show and forgetting to mention your spouse 😉 I admire so many authors for such huge variety of reasons. I mean, when you consider there are over fifteen picture book story structures, and then you throw in fiction vs nonfiction and rhyme vs prose and on and on, the world is our oyster when it comes to mentor texts and inspiration. Of course, I have my favorite authors, and I have some books that I admire more than others. I started to list some of my favorite authors and books, and I found myself going down that rabbit hole of “wait” but then there is this book or this author. I would have to write a whole book to cover them all. And then I would still feel like I left someone out.

I will say that early in my kid lit writing career, Tammi Sauer’s books were responsible for my long sought out understanding of story and character arcs. And I use her books to teach other writers about arc.

I will never miss an opportunity to suggest that any of our Blue Whale Press books would make excellent mentor texts. If they weren’t good examples to study, they would not have made their way through our acquisitions process.

I won’t leave people hanging though, when it comes to finding good mentor texts. For those looking for mentor texts, I recommend following Reading for Research and join their Reading for Research month here is a link to their site http://www.reforemo.com/.

Also Susanna Leonard Hill offers a list of titles by theme on her blog https://susannahill.com/for-teachers-and-parents/perfect-picture-books/. In addition, if you go to her website you can follow Perfect Picture Book Friday entries all year long.

Here is a good article on the Reading for Research site that leads to some nice lists by category.

http://www.reforemo.com/2019/07/using-reforemo-lists-to-find-comp-titles.html?fbclid=IwAR0ZSjKcx1LhfazIdZiiVXgMBXeDFI247EDjFlNgpE4uR4srkLZyLIZtKsI

Bio for Blue Whale Press

Blue Whale Press is an independent publisher of children’s books who focuses on stories involving themes of friendship and/or personal challenge. Most often, stories are selected for publishing due to their inherent educational or moral value. But as a general rule, a good dose of humor or heartstring tugging doesn’t hurt their chances of being published either. While the vast majority of Blue Whale Press’s current and upcoming titles are picture books, there are a couple of chapter books thrown in the mix. As a boutique publisher who doesn’t mind taking risks, Blue Whale Press considers itself to be a launch pad for authors and illustrators hoping to establish themselves. To learn more about Blue Whale Press please visit www.bluewhalepress.com.

A Picture Book Giveaway!

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Dear world:

With the holidays right around the corner, I’m happy to do a giveaway of my latest picture book No Bears Allowed! The book, published by Blue Whale Press, was officially released on July 1 and has been on a whirlwind of a blog tour ever since. Please see links below. No Bears Allowed also received a 5 star rating from Reader’s Favorite, which was an honor.

Please click HERE to access the Rafflecopter giveaway link.

It only takes a few minutes to enter! Contest ends December 17, 2019, US residents only please.

April 29, 2019 – Melissa Stoller

May 29, 2019 – GROG

May 30, 2019 – Kirsti Call review on Goodreads

June 4, 2019 – Jedlie’s Reading with your Kids podcast

June 6, 2019 – Tara Lazar 

June 7, 2019 – Alayne Christian

June 10, 2019 – Genesis Potentia 

June 10. 2019 – Medium

June 15, 2019 – Helen Ishmurzin

June 18, 2019 – The Story Behind the Story by Lynne Marie

June 20, 2019 – Writing and Illustrating 

June 21, 2019 – Perfect Picture Book Friday by Vivian Kirkfield

July 12, 2019 – Perfect Picture Book Friday by Jilanne Hoffman 

July 22, 2019 – Five Fun Facts

August 13, 2019 – ReFoReMo

August 19, 2019 – Books & the Bear

August 23, 2019 – Picture Book Spotlight

September 23, 2019 – Beth Stillborn

September 26, 2019 – Two BookWorms review

September 27, 2019 – Readers’ Favorite 5 star review

October 1, 2019 – Let’s Write! 

October 7, 2019 – Two BookWorms interview

October 14, 2019 – Pick a Good Book 

October 18, 2019 – Author Spotlight on Kidlit 411

 

Q & A with Author Ashley Franklin & GIVEAWAY!

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Hello world!

Welcome to my book blog. For this Q & A, please welcome my friend and talented author Ashley Franklin who wrote the picture book NOT QUITE SNOW WHITE published by HarperCollins. She explains her journey below.

But first, she’s doing a generous GIVEAWAY! Ashley will gifting one lucky winner with her PB, for US residents only please. To enter, please click HERE.

 

Can you describe the journey to publication for this book?
My journey to publication was a bit unorthodox. I landed my first agent thanks to #PBPitch. NOT QUITE SNOW WHITE wasn’t the manuscript that piqued her interest because I hadn’t written it yet. It was after many “like it but not in love with it” rejections that I switched gears and started writing new manuscripts, one of which was NQSW. Though I’m no longer with that agent, I appreciate what she did to help find the perfect editor for the story.

Where did you draw the book’s inspiration?
Thanks to blog posts from Tara Lazar’s StoryStorm (then PiBoIdMo), I got the idea to look within myself and my experiences for book ideas. I knew I wanted to write an African American princess, and the story took many different shapes until I got to the final product.

Please share some of your writing process.
I write quickly and revise slowly. My process is a puzzle of scribbles and notes from notebooks, my phone, and bits of paper that I assemble once I finally have a pretty good idea of the direction I want to go with a story.
I don’t have a set schedule that I adhere to every day or week. I’m a work from home mom. That doesn’t work for my life. When I get moments to write, I take them, and I make sure that’s where my focus stays.

When did you first realize you wanted to be a writer?
I’ve always been a writer. As a kid, I had a diary. When frustrated as a teen, I wrote poetry and kept a journal. It just took me a while to realize that I wanted to pursue writing professionally. That really didn’t hit me until I had my first child and was frequently at the library searching for books I wanted him to experience that weren’t problematic, out of touch, or not particularly meaningful to his already lived and likely upcoming experiences (in my opinion).

Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?
I don’t like to be boxed in, so I see myself writing widely—making something for the middle grade audience, dabbling with poetry…so many exciting possibilities

Please share your favourite kidlit books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?
Clearly I turned to fairytales. (I know I’m cheating a little with that.) I also turned to Tammi Sauer’s MARY HAD A LITTLE GLAM. I like the idea of taking an old or familiar concept and making it something new.

What is the best (one) piece of advice you would give to other writers?
Well, self-care is important, and I think that’s something we writes tend to put on the back burner—whether that be out of choice or necessity. So, my advice would be this: Nourish yourself first for your ideas to flourish.

And a bonus Q- If you could be any flavour of ice cream, which one would you be and why?
Butter pecan—salty, sweet, a bit nutty. That’s me, lol.

BIO
Ashley Franklin is a writer, mother, and adjunct college professor. Ashley received her M.A. from the University of Delaware in English Literature, where she reaffirmed her love of writing but realized she had NO IDEA what she wanted to do about it.
Ashley currently resides in Arkansas with her family. Her debut picture book, NOT QUITE SNOW WHITE, was released July 9, 2019 by Harper Collins. For more information on Ashley and her writing journey, you can visit her website: www.ashleyfranklinwrites.com

 

Social media savvy?  You can find Ashley on one of these platforms:
Twitter:@differentashley
Facebook: Ashley Franklin
Instagram: @ashleyfranklinwrites

Q & A with author Emma Wunsch & GIVEAWAY!

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Hello world!

Welcome to my book blog. For this Q & A, please welcome the talented author Emma Wunsch who wrote the Miranda and Maude chapter book series published by Abrams Books. I’m a huge chapter book fan, and hers are unique. She explains her journey below.

But first, she’s doing a generous GIVEAWAY! Emma will gifting one lucky winner with Book 3 along with M&M stickers and bookmarks! To enter, please comment below on this blog and follow me on Twitter (@LydiaLukidis).

 

Can you describe the journey to publication for this book?
The journey for the Miranda and Maude series came from telling my then-princess-loving three-year-old daughter a story I made up about a princess named Miranda Rose. She loved the stories, but I quickly got bored and made up an “anti-princess” character named Maude. After years of telling Miranda and Maude stories to my two daughters, I decided to write them down. That three-year-old was ten (and long over princesses) when the first book came out last August.

Where did you draw the book’s inspiration?
The inspiration for the third book in the series RECESS REBELS came directly from hearing about the girl-boy dynamics in my daughters’ classroom. I thought that would a good starting place for the third book; the class gets along so well in BANANA PANTS (book 2), I wanted to shake things up.

Please share some of your writing process.
Whether it’s having a story due to my local writers group or going over a pass for my editor, I thrive with a deadline. When I’m on a deadline I’ll eek out whatever writing time I can find. When I’m not on a deadline, I can be less focused although I know I’m 65% happier when I’m writing. I tend to write fast and then take time to edit. For me, editing is where the real work begins. I love having something—even it’s a terrible first draft (and what first draft isn’t terrible?) and then working to make it better.

When did you first realize you wanted to be a writer?
I wrote my first story, in purple crayon, when I was six. I’ve always wanted to be a writer and I’ve written in a various forms/styles, for most of my life. But I’ve also had other jobs too. I currently work part-time in donor relations at a college. I’ve taught, worked in a bookstore, and badly waitressed.

Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?
Now that are (almost) three Miranda and Maude books, I’d like to do more in the schools. And yes, I have other books that I’m working on. I’d like to publish a MG one day and I have the germ of an idea for another chapter-book series, but it’s much too early to talk aboutJ!

Please share your favourite kidlit books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?
As a kid, I couldn’t get enough Judy Blume. I read Superfudge so much I memorized the first three pages. The characters in Judy Blume’s books are relatable and extremely funny. I think (and so does my eleven-year-old) that Kate DiCamillo is a national treasure. We adore the books in the Raymie Nightingale trilogy. Her language is poetic, precise, and no one is better at naming characters.

What is the best (one) piece of advice you would give to other writers?
In my experience the world of publishing is so much out of my control that the only thing I feel I can completely control is the actual writing. If I don’t do that nothing else can happen.

And a bonus Q- If you could be any flavour of ice cream, which one would you be and why?
I’d be mint-chocolate chip because that was my favorite when I was a kid.

BIO
Emma Wunsch is the author of the YA The Movie Version and the chapter-book series Miranda and Maude. The third book in the series (Miranda and Maude: Recess Rebels) will be published in early September. Emma’s short fiction has been published in a variety of journals including: The Tishman Review, Passages North, The Best of the Bellevue Review, Lit, J Journal, and The Brooklyn Review. Her story “Looking for Cat Stevens” was nominated for a Pushcart Prize in 2017.  Emma is currently working on a collection of short stories.

www.mirandaandmaude.com
Twitter :  @emmawunsch
FB: @emmawunschauthor

Books can be purchased anywhere, including here: https://www.norwichbookstore.com/emma-wunsch-recess-rebels-miranda-maude-3-signed-copies) (they have signed copies!)

Q & A with author Laura Roettiger plus GIVEAWAY!!

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Hello world!

Welcome to my book blog. For this Q & A, please welcome the talented author Laura Roettiger. Here she is discussing her fictional picture book entitled ALIANA REACHES FOR THE MOON. And exciting news, Laura will be doing a GIVEAWAY for one lucky winner!

Click HERE to enter the Rafflecopter contest.

 

Can you describe the journey to publication for this book?
It’s a bit of a cautionary tale with a happy ending. I had no idea what I was doing when I began submitting in January 2017. I submitted before the book was ready to a few agents (all rejections) and a few publishers who accept un-agented work. I was fortunate to find Eifrig Publishing. Their mission aligns well with my personal goals and the messages of ALIANA REACHES FOR THE MOON. Eifrig Publishing only accepts illustrated work and I had a local artist who had illustrated a few picture books ask if she could be part of the project. Due to work conflicts, she backed out after a year. I then found Ariel Boroff through a mutual friend and she began creating character sketches and painting backgrounds. It was almost another year until we had the finished illustrations and the signed contracts. While this felt like a long time, I know many other authors have much longer journeys and I realize I’ve been quite lucky.

Where did you draw the book’s inspiration?
ALIANA is inspired by my own daughters, my students at Carlos Fuentes Charter School in Chicago, and the brightness of the full moon now that I live in the Rocky Mountains, far away from the light pollution of the city. I couldn’t believe how bright the light of the full moon was when I moved here in 2016. It was bright enough that you could read by it, and I knew I had to share this exciting discovery with my former students and others who love the moon.

Please share some of your writing process.
My process varies depending upon what I’m writing and what stage of revision my work is in. I have a novel that is currently sitting on the shelf waiting to be revised … again. My first manuscript which ultimately became ALIANA REACHES FOR THE MOON was written by hand and then revised too many times to count in drafts on my laptop. I have learned to label drafts with the date they were revised because calling something FINAL is never accurate. I like to put drafts away and come back to them a week or more later and read it aloud to hear how it sounds. It’s even better if I can have a friend or critique partner read it aloud so I can hear where it’s smooth and where it sounds clunky. I usually have more than one project going at a time so that if one is at the ‘let it rest’ stage, I have something else to work on.

When did you first realize you wanted to be a writer?
I have always wanted to be a writer. Reading and writing were my favorite activities as a child and I entered poetry and writing contests in elementary school. When I went to overnight camp, my mom saved my letters because she believed I would become a famous writer some day. Those letters disappeared along the way, but after she died, I did find a box full of letters from when I was in college that she saved.

Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?
I have several other manuscripts I am currently querying because ALIANA REACHES FOR THE MOON was published without an agent. I have two more books written with Aliana and her family that also have STEAM connections. Most of my books are character-driven with some science or other element to encourage children’s curiosity after reading. Recently I’ve written a book inspired by my puppy Charlie about a dog who writes letters back and forth with a sibling who lives far away, and my latest picture book manuscript features a confident girl (think Olivia or Fancy Nancy) who talks about her sister at sharing time but her descriptions lead her classmates to believe something completely different. My hope is that I can find an agent who believes in my writing and my characters as much as Penny at Eifrig Publishing does so that I can reach a bigger audience – bigger publishing house.

Please share your favourite kidlit books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?
I have to say Mark Teague’s LaRue books, particularly LETTERS FROM OBEDIENCE SCHOOL, has been a good mentor text for the two manuscripts mentioned above for different reasons. The connection of a dog writing letters is obvious, but additionally, the unreliable narrator aspect has also provided inspiration. My experience with children over the years allows me to see picture books through their eyes. The classic series that I love are the FROG AND TOAD books. I like the idea of two characters who are different from each other but are still good friends. I think that’s an important underlying message for everyone.

What is the best (one) piece of advice you would give to other writers?
I wish I had joined Society of Children’s Book Writers and Illustrators (SCBWI) and Julie Hedlund’s 12×12 right away when I decided to commit to being a writer. If I have to pick one, I guess I would say SCBWI.

And a bonus Q- If you could be any flavour of ice cream, which one would you be and why?
Coffee ice cream with chocolate chunks and cherries. Is that a flavor? If it’s not, it should be because it combines three flavors I love.

BIO
Laura Roettiger is the author of ALIANA REACHES FOR THE MOON, a picture book that draws inspiration from the moon and the curiosity of children. She has enjoyed working with children ever since she was no longer considered a child herself. She was a reading specialist and elementary teacher in Chicago, IL before moving to the Rocky Mountains of Colorado where she worked in Environmental Education and is now a mentor for literacy at a STEM school and a tutor in the BoulderReads program at the Boulder Public Library. Her superpower is encouraging curiosity in children and letting them know she believes in them. She has three children of her own whose curiosity and creativity led them into STEM related professions.

Website: https://lauraroettigerbooks.com/
Twitter: https://twitter.com/ljrwritenow
Eifrig Publishing: https://www.eifrigpublishing.com/

Q & A with author Ellie Sipila plus GIVEAWAY!!

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Hello world!

Welcome to my book blog. For this Q & A, please welcome the talented author Ellie Sipila. Here she is discussing her fictional book for children entitled Mark-Napped!. And exciting news, Ellie will be doing a GIVEAWAY for one lucky winner (in Canada or the continental US). Click HERE to enter the contest.

Can you describe the journey to publication for this book?

Yes! This book has an unusual backstory. I went to university for book publishing with a specialization option for children’s books. One of the courses I took—editing for children—gave an assignment in which students had to find a hole in the market and propose a book idea to fill it. The idea was to illustrate that often in nonfiction publishing, an editor might look for and discover an underrepresented area in the children’s book market, then find a qualified author to write the proposed book—different than in fiction publishing. For the assignment, everyone was to come up with an idea and pitch it to a small group, then the winners of the “pitch contest” were to develop their ideas into full-fledged book proposals and pitch them to the rest of the class. Well, my idea won. Huzzah!

When the course was finished, my professor, a former acquisitions editor for Kids Can Press, pulled me aside and said that she thought my idea really had merit and encouraged me to complete it. I was busy at that time and didn’t do it, however. Student life. You know how it is.

Some time later, when I was taking book design, I used the idea again. This time the assignment was to take a nonfiction book—any nonfiction book, real or imagined—and come up with a cover and some of the interior layout and artwork for it. I used Mark-Napped!, and again when the class was through, the same thing happened—my prof said she loved the concept and told me she thought I should develop it further. Things began happening in my head.

When this thing with the profs encouraging me to finish the proposal happened one more time, this time in the “agenting” course, I knew I had something really special. One cannot ignore such a thing three times by three different industry professionals. I sat down and completed the manuscript.

Where did you draw the book’s inspiration?

My kids, mostly. And my own primary school education. Learning about punctuation is boring. It just is. I saw my kids struggling through their English homework, and, as an editor, it pained me. Like, physical pain. They could not get the concept of when to use a semicolon and what, exactly, was an independent clause. Kids struggle to learn when they don’t really care about a thing, and they don’t really care about a thing if it’s boring. So I thought…there must be a way to fix that. There has to be a way. And there was!

Please share some of your writing process.

This book didn’t really have much of a process, actually. Because it was half written for an assignment, left for a while, then completed later for another assignment, it didn’t really fit into any of the usual writing processes. I wrote the first few chapters in about a week, maybe two, and the second half in a matter or days. Once I had the concept (and the helpful pointers of my peers and teachers), the writing part just happened.

When did you first realize you wanted to be a writer?

I’ve always been a writer. I don’t know exactly. I have a number of fiction items (short stories, a novelette, even a full-length middle grade novel) published under a pen name. I don’t think I ever woke up one day and thought…you know, I think I’d like to write. It’s just one of those things that you do or you don’t to (like brushing your teeth, according to my son).

Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?

Well, I do have some thoughts for the next books in the Mark-Napped! series… The next will be about math symbols. Then we will have music notes and elements from the periodic table. My alter ego, the fiction writer, has two or three half-completed manuscripts in the making…but we’re not talking about her right now.

Please share your favourite kidlit books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?

My favourites change all the time. Mark-Napped! is a mystery, and I wanted to give it a bit of a spooky feel, like The Monster At the End of This Book (Jon Stone), where readers simply cannot help but turn the pages. Shall we say Sherlock Holmes was an inspiration too? I think it is elementary my dear readers to say that it was! I read so much contemporary stuff. Right now I am in a sci-fi phase; at present, sci-fi is my favourite. Will it last? Who knows? Sometimes I like YA; sometimes I like murder books. I could not pick favourites. I’m fickle. I cannot get into kissing books though (barf).

What is the best (one) piece of advice you would give to other writers?

Who cares if your writing doesn’t fit a mould? There is power in being original.

And a bonus Q- If you could be any flavour of ice cream, which one would you be and why?

Ew. I. Dislike. Ice cream. I love potato chips though! Sour cream and onion are my favourite—they’re classy, but also a little spicy. They are my soul chip.

BIO

Ellie Sipila produces children books through her own freelance business, Move to the Write, an editing and book production company. She earned a specialization in children’s book editing from Ryerson University Publishing Certificate Program.

Website: http://www.movetothewrite.com
Facebook: https://www.facebook.com/movetothewrite/
Twitter: https://twitter.com/MoveToTheWrite