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Children’s literature

Author Valerie Bolling Dances her Way to her Debut (plus giveaway!)

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Hello world!

Welcome to my book blog, Blissfully Bookish. For this Q & A, please welcome author Valerie Bolling. Here she is , discussing her new picture book Let’s Dance!, illustrated by Maine Diaz and published by Boyds Mills & Kane. Iread the book myself and loved it, and I admit, it made me want to get up and DANCE! Check out Valerie’s journey below.

BUT FIRST- yay, a giveaway: Valerie is generously giving away a query critique OR a  PB critique (500 words or less). Simply comment on this blog, contest ends July 13, 2020.

 

Please describe the journey to publication for this book.
Let’s Dance! was “liked” in #PBPitch in June 2018 by Jes Negrón, an editor at Boyds Mills & Kane. A couple of weeks after sending the manuscript to her, she expressed interest in publishing the book. When we had “The Call,” I shared with her my desire for the book’s illustrations to display an inclusive representation of children: gender, race, ability. Jes expanded upon my vision for diversity by recognizing that some of my words described cultural dances like Flamenco (Spain), Kathak (India), and Long Sleeve Dance (China). I am thrilled to have this added layer of cultural representation in my book!

Where did you draw the book’s inspiration?
I didn’t draw the book’s inspiration, Lydia. Maine Diaz, the amazing illustrator, did. Sorry; I couldn’t resist providing that response. 🙂
Since most children enjoy dancing (adults, too, including me!), I decided to write a fun, rhyming story celebrating the universality of dance. My goal was to showcase dance as a language we all speak, even though we have different “accents.”
I want everyone who reads Let’s Dance! to know that not only are people connected through dance, but we’re also connected simply because we’re human. Regardless of how we dance, how we look, or who we are, we are worthy, valuable members of society.

What is your writing process, and does it vary depending on the project?
I don’t think of myself as having a particular writing process. I write when a new idea enters my mind, and I CONSTANTLY revise. I’m typically working on at least three stories at a time, sometimes more.
A critical part of my writing process is critique. That’s what helps me make significant and (usually) effective revisions. I’m so fortunate to have an amazing critique circle: critique partner, critique group, debut group that offers critique, WNDB mentor, and, most recently, an agent!

Have any books inspired you and served as mentor texts?
In addition to critique being vital to the revision process, Lydia, mentor texts are invaluable. For Let’s Dance!, Watersong by Tim McCanna served as a mentor text. Visiting Day and Coming on Home Soon by Jacqueline Woodson served as mentor texts for another manuscript. Those books helped me create an emotional arc in my story with a similar plot. Saturday by Oge Mora helped me work through changes to the ending of another manuscript. I read Woodson’s books, specifically because I believed they’d provide insight into my own story … and they did. On the other hand, I was reading Mora’s book just because I’d heard it was worth reading. It came as a pleasant surprise when it inspired a new idea for an ending to a story I’d been revising.
As an educator, I emphasize the importance of revision to students, touting the inseparable connection between reading and writing. When we read as writers, we notice certain qualities of books – intentionally and unintentionally. And those observations help us improve our writing. Conversely, writers engage in a heightened reading experience because we are able to appreciate a beautiful book in multi-faceted ways.

Please paste a short and compelling excerpt from your book.
Wiggle hips/Spin, dip, dip (Kuku, a West African dance)

Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?
I hope my career is headed to the sky because, though it’s a cliché, the sky’s the limit. I have two manuscripts out on sub right now, and a number of others waiting in the queue, so we’ll see. I’m constantly revising and also writing new stories. I’ve written three stories during the pandemic but have spent even more time revising other stories … not to mention promoting Let’s Dance! with blogger and podcast interviews and author visits to schools, bookstores, libraries, and dance studios. My author journey has been fun and exciting. Like a roller coaster, it may twist my head and twirl my tummy, but I’m not ready to get off the ride!

What is the best (one) piece of advice you would give to other writers? 
If I can only say one thing, Lydia, it would be: Keep writing.
If I can say more, here are my five tips:

  1. Write.
  2. Revise.
  3. Read.
  4. Immerse yourself in writing opportunities and in the writing community by taking a course, joining SCBWI, going to conferences, joining a critique group, and participating in contests.
  5. Continue writing … even when you face rejection

And a bonus question just for kicks! If you could be any flavor of ice cream, which one would you be and why??
I’d probably pick anything with peanuts or peanut butter. I like ice cream but am allergic to peanuts (all other nuts are fine). Being an ice cream flavor that contains peanuts would ensure that I wouldn’t be tempted to eat myself!

BIO
Let’s Dance! (Boyds Mills & Kane) is Valerie Bolling’s debut picture book. In addition to being an author, Valerie has been an educator for over 25 years. When she taught elementary students, it was difficult to find diverse literature for them. Thus, she is passionate about creating stories in which all children can see themselves and feel valued and heard.
A graduate of Tufts University and Columbia University, Teachers College, Valerie currently works as an Instructional Coach with middle and high school teachers.
Besides writing picture books, Valerie writes a Monthly Memo for teachers that she publishes on Twitter, and she has been published in The National Writing Project’s Quarterly (“The Family Writing Project Builds a Learning Community in Connecticut”) and NESCBWI News (“Microaggressions Don’t Feel ‘Micro’”). Recently, she had a poem accepted for publication by Cricket Media.
Valerie is represented by James McGowan of BookEnds Literary Agency, and she is a member of NCTE, SCBWI, the NESCBWI Equity and Inclusion Committee, the Authors Guild, the WNDB Mentorship Program, #12X12PB, 2020 Diverse Debuts, 20/20 Vision Picture Books, and a picture book critique group.
Valerie and her husband live in Connecticut and enjoy traveling, hiking, reading, going to the theater, and dancing.

Social Media
Website: http://valeriebolling.com
Twitter: https://twitter.com/valerie_bolling
Instagram: https://www.instagram.com/valeriebollingauthor
Books can be purchased at any of these stores.
Click on this page to see options for where to purchase Let’s Dance!

Happy Birthday, Bear and Rabbit! Plus, GIVEAWAY!

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Happy birthday, Dear Bear,

Happy birthday, Dear Rabbit,

Happy birthday, Happy birthday.

Happy 1st book birthday to you!

 

 

 

 

 

 

 

YAHOO! My book, No Bears Allowed, illustrated by Tara J. Hannon and published by Blue Whale Press (Clear Fork) is one year old today! It’s hard to believe a full year has gone by, and yet it took many years for this book to come to life and be published. The journey has taught me many valuable lessons, like learning how to trust my words and leave space for the illustrator, and also, how to create character driven stories.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Each book is wonderful step on this journey, and now it’s time to celebrate!

 

 

 

 

 

 

In honor of this book birthday, I’m giving away a FREE signed copy of No Bears Allowed along with some bookmarks. How can you enter this giveaway contest, you may ask? Easy- leave a comment on this blog and name your favorite character driven picture book of all time. The lucky winner will be picked on July 10, 2020. Good luck to all!

Author Vivian Kirkfield: How to Write about TWO Famous People in ONE Book

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Hello world!

Welcome to my book blog, Blissfully Bookish. For this Q & A, please welcome the talented nonfiction author Vivian Kirkfield. You likely know her name because she’s one of the most hardworking and friendliest names in the kidlit world. She had a slew of books recently come out, with more on the way. Join us as we discuss her latest nonfiction PB, Making Their Voices Heard: The Inspiring Friendship of Ella Fitzgerald and Marilyn Monroe published by Little Bee Books.

BUT FIRST- yay, a giveaway: Vivian is generously giving away a signed copy of her book Four Otters Toboggan with the 8-page activity book that the illustrator created and a couple of Otters bookmarks. Simply comment on this blog. US only, ends June 26, 2020.

 

Please describe the journey to publication for this book.
If I’ve learned anything over the past few years, it is that each manuscript has its own journey…even if it is with the same publisher as a previous book. I haven’t had that experience yet, because each of my books is with a different house.
Making Their Voices Heard had a very interesting path to publication. I wrote the story early in 2015…and brought it to a conference where I was able to show it to an editor. Even though it was a rough draft, she loved it and asked for me to finish it and send it to her. I signed with my agent later that year and by early 2016, we sent it to the editor. She asked for revisions. I did them and she loved it…but couldn’t get her team to acquire it. They worried that it was a white savior story. That summer, had the opportunity to chat with another editor at a conference and she asked to see it. We sent it, she loved it, asked for revisions, but even though she loved the revision, she also couldn’t get her team to acquire it. Same problem. I continued to revise the story to try to bring more balance to the relationship between Ella and Marilyn. And when we sent it to Courtney Fahy at Little Bee Books, the magic happened. She loved it, asked for revisions (are you getting the picture of how this process works? Even when we think the story is singing, the editor may have a different harmony in mind 😊)…loved the revisions and acquired the manuscript.

Where did you draw the book’s inspiration?
The internet is my friend! I came across a photo of Ella Fitzgerald and Marilyn Monroe sitting shoulder to shoulder in a nightclub and the caption spoke of their friendship and how Marilyn had helped Ella break down some barriers. My curiosity was piqued…I grew up in the 50’s and admired the talent of these women, but had no idea there was a friendship between them. I had to find out. When I dug deeper and discovered what had happened, I knew it was a story that kids needed to hear…about friendship, inclusion, respect for others, no matter what their race, creed, or color.

What is your writing process, and does it vary depending on the project?
I’m dedicated to this writing journey. Fortunately for me, I am retired and can write all day, all night, whenever I choose. I tend to work on various projects at the same time…and juggle these with giving feedback to my critique partners and critique clients. The best thing is that I love it so much, it is not work…it is my passion…so I always want to be writing.

What draws you to the world of nonfiction?
As a kid, I read the Encyclopedia Britannica from cover to cover…I absolutely love to find out about people, places, events…especially hidden gems about ordinary people who did extraordinary things…but who didn’t get the recognition they deserve…and whose lives and accomplishments kids need to know about – I’m hoping that if they engage in the story, it might spark their curiosity and lead them down a path of new knowledge and interest.

 Please paste a short and compelling excerpt from your book.
On the outside, you couldn’t find two girls who looked more different. But on the inside they were alike—full of hopes and dreams and plans of what might be.

Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?
I’m not sure where my career is headed…but I do know that I am definitely enjoying this wild adventure! I feel blessed to be living my dream. Upcoming books in the pipeline are FROM HERE TO THERE: Invention That Changed the Way the World Moves (Houghton Mifflin Harcourt, January 19, 2021, illustrated by Gilbert Ford) and PEDAL, BALANCE, STEER: Annie Londonderry, First Woman to Cycle Around the World (Calkins Creek/Boyds Mills & Kane, Spring 2023, illustrated by Jana Christy). We also have four stories (all nonfiction pb bios) out on submission right now, so fingers crossed that one or more of them finds the right home. Because that’s the thing about this business…you can write the best story, but if it doesn’t get to the right editor, it’s a no go. And by the way…last year when I did the guest post here, I mentioned that an editor had asked for a particular story and I told you all that I had written it and we were hoping she would like it. Well, it wasn’t what she was looking for…and so my agent submitted it elsewhere…and that is the Pedal, Balance, Steer story that will be coming out in Spring 2023. Word to the wise…Never Give Up!

Please share your favorite books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?
This is definitely the hardest question of all…asking a lover of books which are her favorite ones. I’ve always loved The Little House by Virginia Lee Burton…I loved the story of a house that felt out of place…where change was happening all around her…and then finally, she is rescued and brought to a new surroundings where she can start a new life all over again. Newer picture books are mostly nonfiction: Laurie Wallmark’s Ada Byron Lovelace and the Thinking Machine; Nancy Churnin’s Irving Berlin: The Boy Who Made America Sing; Hannah Holt’s The Diamond and the Boy. The writing in all is so lyrical…and the characters make a hero’s journey. I love them because they are inspiring stories for children and adults.

What is the best (one) piece of advice you would give to other writers? 
The only failure is the failure to keep trying.

And a bonus question just for kicks! If you could be any flavor of ice cream, which one would you be and why??
Moosetracks…chocolate with nuts and caramel!!!! And you ask why? Because I LOVE chocolate and the nuts and caramel only make it better!

BIO
Writer for children—reader forever…that’s Vivian Kirkfield in five words. Her bucket list contains many more than five words – but she’s already checked off skydiving, parasailing, banana-boat riding, and visiting critique buddies all around the world. When she isn’t looking for ways to fall from the sky or sink under the water, she can be found writing picture books in the quaint village of Amherst, NH where the old stone library is her favorite hangout and her young grandson is her favorite board game partner. A retired kindergarten teacher with a masters in Early Childhood Education, Vivian inspires budding writers during classroom visits and shares insights with aspiring authors at conferences and on her blog, Picture Books Help Kids Soar where she hosts the #50PreciousWords International Writing Contest and the #50PreciousWordsforKids Challenge. She is the author many picture books including Sweet Dreams, Sarah (Creston Books); Making Their Voices Heard: The Inspiring Friendship of Ella Fitzgerald and Marilyn Monroe (Little Bee Books); and the upcoming From Here to There: Inventions That Changed the Way the World Moves (Houghton Mifflin Harcourt, January 19, 2021) and Pedal, Balance, Steer: Annie Londonderry, First Woman to Cycle Around the World (Calkins Creek, Spring 2023).

Social Media
You can connect with her on her website, Facebook, Twitter, Pinterest, Instagram, Linkedin, or just about any place people with picture books are found.

Author Julie Falatko on Creating Chapter Books

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Hello world!

Welcome to my book blog, Blissfully Bookish. For this Q & A, please welcome the talented writer Julie Falatko. I consider her one of my favorite fiction authors, so this is exciting! I first fell in love with her work when she created the Snappsy the Alligator series, and now she’s out with a new chapter book series, Two Dogs and a Trench Coat, published by Scholastic. Let’s support her by buying her books and/or reviewing them!

Please describe the journey to publication for this book series.
I had written picture books but nothing longer yet. I knew I wanted to – I overwrite my picture books to get the story down, and have to cut away 75% of what I write. I liked the idea of trying to write a story that would let me keep a few more of those jokes in.

Where did you draw the book’s inspiration?
At the time, I had two dogs (I’m down to one now, alas), and spent a lot of time narrating what I thought the dogs would be saying to each other. I think all pet owners probably do this. But it became a bit of a competition in my family, to try to do it in the best, funniest, most pun-filled way. A lot of it was the dogs trying to get the idiot humans to give them large piles of meat.

What is your writing process, and does it vary depending on the project?
My writing process is the same for every project. I do a mix of writing longhand and typing into the computer. I write some and then go for a walk and think about the problems I’ve run into with what I’m working on (and write possible solutions or good sentences on an index card I keep in my pocket). And I do my best work early in the morning. It has gotten really bad, my ability to work past a certain time of day. It keeps getting earlier and earlier. At this point, my best work is done before 9 am. I can’t do any creative idea generation at all after 2 pm.

We’re always hearing about how chapter books are a difficult market. How did you manage to break into this genre?
It was a combination of hard work, luck, and being in the right place at the right time. I’d written a chapter book collaboratively with two other authors, which was honestly the funniest thing. And no one wanted it. But I kept working on picture books, and various other longer things. I read all the time. I did what I think is probably technically called “making connections” or “networking” but was really just me wanting to talk kids books with other people who were happy to have a long discussion about books with me. I met my Scholastic editor because of all of those things. We’d known each other as industry acquaintances for a few years before we talked about working together on Two Dogs in a Trench Coat.

Please paste a short and compelling excerpt from your book.
My favorite scene in Two Dogs in a Trench Coat Enter Stage Left is when the acting teacher is trying to lead the students in a relaxing breathing exercise and the kids and dogs have absolutely no idea what’s happening:
“Everyone, take a deep breath,” said Mr. Rollins.
“Why?” said Bax.
“We are going to practice being in a play where we are breathers,” said Waldo.
“I took a breath in, and then I breathed out,” said Piper. “Is that okay? Or do you want me to hold my breath?”
“You should definitely breathe out,” said Becky. “I did, at least. Wait, can we breathe in again?”
“Listen to Mr. Rollins,” said Charlie. “He’s teaching us a special way to breathe. If you breathe in, and out, then in again, you’re just breathing like you always do.”
“Salty is breathing in and out very fast now,” said Bax. Waldo was, in fact, panting. “I’m going to do that. That seems more fun.”
Susan made a squeaking noise. Her face was very red. She exhaled noisily. “Why did you have us hold our breath?”
“I’m just trying to get you to relax,” said Mr. Rollins.
“Try harder,” said Bax, nearly out of breath.

Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?
I want to keep making books, especially books that I would have liked to read when I was a kid. I have a few projects in progress that I can’t talk about yet, but I can tell you that my next picture book will be Dear Sirs, out next year from Cameron Kids, which will be illustrated by Gabriel Alborozo.

Please share your favourite books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?
What I love in classic books is the way the format allowed them to take their time with the story. You look at a book like One Morning in Maine that takes a full 45 minutes to read aloud. And it’s perfect. It would never fly today, and that’s fine, but I do love reading a book that talks for pages about a spark plug, or books like Bread and Jam for Frances with that whole long exalted description of Albert unpacking his lunch box. It’s so delightful to encounter those picture books that slow down so much.
That said, I always name Amos & Boris by William Steig as my favorite classic picture book. The characters are perfectly set up, the language is beautiful and lyrical, and the plot is done in such a way that you have a real moment of despair wondering how it’s all going to be fixed and that allows you to feel joy at the absurd and somehow completely right way it’s all resolved.
Now, a contemporary book. The coronavirus pandemic has really taken a number on my knowledge of the most recent picture books. Or, I know about a lot of them, but haven’t read them yet, since I often got them from the New Releases shelf in my local library. I know there are many incredible picture books that were published in the past three months. The children’s book industry is an incredibly kind business to work in, and it’s one where you make a lot of genuine friends, so this question feels a bit like a bizarre award acceptance speech, where I want to name all my friends and the brilliant books they’ve written. Given that, I’ll throw that all out the window and name a book by an author I don’t know: Sweety by Andrea Zuill. It was the last book I read that really wowed me as far as the plot and the characters and also instilled a deep annoyed jealousy in me that she made a book so hilarious and perfect.

What is the best (one) piece of advice you would give to other writers?
The hardest part of being a writer, and the thing that will ensure your success, is doing the work. 100% of people with books out in the world did the work. They faced rejection and failed manuscripts and being stuck, and still they kept at it, and did the work.

And a bonus question just for kicks! If you could be any flavour of ice cream, which one would you be and why??
I am probably a weird, potentially terrible, flavor, like gummy bear or salted grapefruit, where you try it because it’s so ridiculous and think, “I think I actually love this?”

BIO
Julie Falatko is the author of eight funny books for kids, including Snappsy the Alligator and The Great Indoors. She lives in Maine with her family.

Social Media
Website: http://juliefalatko.com/
Twitter: https://twitter.com/JulieFalatko
Instagram: https://www.instagram.com/julie_falatko/
Facebook: https://www.facebook.com/JulieFalatkoAuthor/
Local indie where you can order signed books: https://www.printbookstore.com/falatko

Author Jennifer Swanson and her love of STEM

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Hello world!

Welcome to my book blog, Blissfully Bookish. For this Q & A, please welcome the talented nonfiction author Jennifer Swanson. I absolutely love her book Astronaut-Aquanaut: How Space Science and Sea Science Interact. And, she just recently released a few gem, Beastly Bionics published National Geographic Kids. Check out her book journey below:

Please describe the journey to publication for this book.
I have always been fascinated by engineering and technology. For me, the excitement of this topic is what work is being done NOW. I felt very strongly that this book should not just include technology that has been proven, but also technology that is still in the creative process. I want to show young readers what is possible and how they can imagine something and work to make it a reality. The idea is a bit revolutionary in terms of children’s books, because most books cover information that has already been proven. But I had worked closely with my National Geographic Kids editor on several books and she was really intrigued by my idea and excited to have it at her imprint.

Where did you draw the book’s inspiration?
This book is about animals, which are cool, and robots, which are also cool. So, why not? I loved the idea of writing about bionics and biomimicry. Nature is a wonderful way to be inspired to create objects that can help humans. I started reading about all of these amazing inventions, and knew kids would find them fascinating.

What is your writing process, and does it vary depending on the project?
Since I write about a lot of very technical topics, I tend to do my research as I write. I will have multiple tabs open on the computer, stacks of books next to me, as I read, digest, and write my manuscript. If  possible, I try to visit the places that I’m writing about. For me research trips are the BEST! I’ve been lucky enough and honored to be invited to many amazing science venues.

What draws you to the world of nonfiction?
My whole life I’ve been curious. Mostly I wanted to know how things work. How is that made? Why does it work that way? What are those coils and cords that provide the electricity? Most of all, I love learning. For me, learning is best when it is FUN! Which means that in my books I always look for a unique way to convey information. A different take on something. I want my readers to constantly say, “WOW. I didn’t know that.” Because that is how I feel when I do my research.

Please paste a short and compelling excerpt from your book.
Sticky feet that climb anything. Trunk-like robotic arms.  Super-senstive hearing. What is this? Some kind of new superhero? Nope. These are examples of robots that are engineered with bionics, or nature-inspired technology. It is innovation in action! Animal-style.
Packed with cutting-edge robotics, this book gives readers a peek inside creations that may have only been previously seen in a rainforest, ocean, or even just flying right outside your window.  Perfect for makerspaces, or kids who love robotics but not necessarily just coding.

Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?
I will continue to write books for kids about science and STEM. It is my passion and if they are able to inspire even one child to pursue a career in science, technology, engineering or math, I would be extremely happy. As a way to further my reach, I have also just started a new STEM podcast called Solve It! for Kids. https://solveitforkids.com/

Solve It! for Kids
The science podcast for curious & creative kids and their families.
Peek into the world of real-life scientists, engineers, and experts as they solve problems in their every day jobs. Kids and families are then invited to take on a challenge and solve a problem themselves! Join Jennifer and Jed as they ask questions, solve problems, and offer challenges that take curiosity and creativity to a whole new level.
Don’t forget to participate in our weekly challenges! If you do, you can be entered to win a free book. (Different book every month!)

Please share your favorite books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?
Classic books that inspired me: The Nancy Drew Mystery series. While it’s a fiction book, this series got me hooked on investigation and inquiry, something every good nonfiction author needs in their search for knowledge.
Contemporary book: A Black Hole is NOT a Hole by Carolyn DeCristofano (Charlesbridge Publishing). This is an awesome book is  a fun and exciting look an extremely challenging topic. Well done and a great mentor text for me.

What is the best (one) piece of advice you would give to other writers? (I will make an ecard with your quote and circulate it)
Write what you are passionate about! That is the key to everything. If you love your topic, that passion will show through to all of your readers.

And a bonus question just for kicks! If you could be any flavour of ice cream, which one would you be and why??
I love chocolate chip cookie dough. It’s a bunch of different things all mixed together and  yet it all works as a great flavor.

BIO
Now, Jennifer Swanson is the award winning author of over 40+ nonfiction books for children, mostly about science and technology. Jennifer’s love of STEM began when she started a science club in her garage at the age of 7. While no longer working from the garage, Jennifer’s passion for science and technology resonates in all her books but especially, BRAIN GAMES (NGKids) and SUPER GEAR: Nanotechnology and Sports Team Up (Charlesbridge), Astronaut-Aquanaut, and Save the Crash-test Dummies. Her books have received many accolades including the starred reviews, Booklist Best Tech books list, Green Earth Book Honor Award, a Florida Book Award, and multiple California Reading Association awards, and National Science Teaching BEST STEM awards. her BRAIN GAMES book was even #13 on the The Planets.org 50 Best Science books Ever Written.
An accomplished and exciting speaker, Jennifer has presented at National NSTA conferences, the Highlights Foundation, the Atlanta Science Festival, the World Science Festival in NYC and the Library of Congress’ National Book Festival. Jennifer encourages kids (of all ages) to engage their curiosity and DISCOVER the Science all around them!

Social Media
www.JenniferSwansonBooks.com
Starred review from School Library Journal: https://www.slj.com/?reviewDetail=beastly-bionics-rad-robots-brilliant-biomimicry-and-incredible-inventions-inspired-by-nature&fbclid=IwAR2igmNpfaI4gqRfT69q6e5IdqIOUAY3pK5cHksLwifCUMxuBZpyliE1Fwg
Twitter: @JenSwanBooks

Author Debra Kempf Shumaker on the Art of Perseverance

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Hello world!

Welcome to my Blissfully Bookish book blog. For this Q & A, please welcome author Debra Kempf Shumaker. I’ve known her for some time, and was always amazing at her patience and level of perseverance. In November 2019, she posted about her upcoming book deal (FREAKY FUNKY FISH, published by Running Kids Press in 2021) in the KidLit411 Facebook group. Here’s what she said, which may inspire many of you.

But first, exciting news- Debra is generously giving away a FREE PB critique! It could be fiction or nonfiction, and/or rhyming. Simply comment below. Contest ends May 4, 2020. Good luck!

When I signed with my agent in July of 2017, I shared in this group that I had been subbing for about 7 or 8 years, had subbed 11 different PBs, and had about 160 rejections before I got that first YES. Well, I finally had my second YES:
My debut PB was announced last night. BUT, this was the 13th or 14th (maybe 15th) PB that I had written and revised enough to feel it sub-worthy. (I won’t count the rough drafts that I wrote that I never went back to.) AND, it’s the 5th PB that my agent went on sub with. Two others had gone to acquisitions a few times but didn’t sell.
Bottom line: Don’t give up. Be willing to revise, revise, revise. And work on craft. BUT—also be willing to move on and write new things. When I first started, I spent 2 or 3 years revising the same 2 stories over and over again, thinking I just needed to tweak them and they would sell. Sometimes, some stories are just practice and that’s OK.
For those of you who are pre-published, hang in there! I hope that my story and my long journey to two “YESes” encourages you to keep pushing forward!
PS: The first thing I should have said is that I owe a million thanks to my critique groups and various CPs! None of my stories would have been ready without all of them!

During your many years of writing, editing, and receiving slews of rejections, what kept you going? (And how did you stay sane with all the waiting?)
Math. I knew I had a 100% chance of failure if I stopped writing. The only way to get a book deal was to keep writing. I knew that my writing would get better if I kept reading and analyzing picture books, being open to feedback, and being willing to revise. My critique partners were crucial as cheerleaders and for helpful input into my stories.

Was there a turning point or an “aha” moment, or was the process of learning your craft slow and steady?
Actually, it was a combination of the two. My “aha” moment came during a local SCBWI conference early in my writing career. In a Q&A session, someone asked an editor, “After you submit your story, how long do you wait to hear back?” He replied, “You don’t. You forget about it and write something new.” That’s when it hit me. I had been rewriting and revising the same two PBs for over a year. Those two were my “big ideas.” Where was I going to get more ideas? I was depressed and thought about quitting.
Thankfully, the next day, somewhere online, I read about Tara Lazar’s PiBoIdMo (Picture Book Idea Month, now known as StoryStorm) which was starting within a few days. From there I found Julie Hedlund’s 12×12 (a challenge where you attempt to write 12 rough drafts in 12 months) and those two groups changed the way I approached my writing. From there, it was a slow and steady journey, dotted with many peaks and valleys. It was at least 6 or 7 years after that “aha” moment before I signed with my agent.

What are your top 3 pieces of advice for querying authors?
One: Develop thick skin and do not take rejection personally. Agents and editors are not rejecting YOU, they are rejecting the story you have written.
Two: The odds are high your first story won’t sell. Or your second. The 11th story I subbed caught my agent’s eye in 2017. And we never sold that story. It was the fifth story we went on sub with that finally sold. (That doesn’t include the dozens of rough drafts I’ve ever written.)
Three: Write something new. When you send one story off, write another one immediately. Fresh new projects help me to forget about the waiting.

How long did it take you to get your agent? What was that process like?
It took seven or eight years after my first query. In that time, I took several “query sabbaticals” when I realized my stories weren’t up to par and I needed to revise or write new stories. Though I had several close calls with both agents and editors in 2014 and 2015, I didn’t sign with my agent until July 2017. And it was January 2019 before we sold a book. This submitting process is not for the faint of heart!

Please share a few details about your forthcoming book.
FREAKY FUNKY FISH is a rhyming NF PB with Running Kids Press. From zapping, stinging, even singing, to playing dead or a see-through head, discover the funky, even freaky, ways fish look or act to survive in the rivers, lakes, and oceans they live in. It is scheduled for publication in Spring 2021.

Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?
Hopefully lots more published picture books! I love picture books so much and can’t imagine writing anything else! I write both fiction and nonfiction and we are out on submission with a few manuscripts. Hopefully I’ll have news to share again soon!

Please share your favorite books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?
I’m going to cheat a bit and instead give you authors that inspire me. I love science related NF PBs and three authors’ books that I study over and over again are Laura Purdie Salas, Melissa Stewart, and April Pulley Sayre. Their words flow off the page and seem effortless, though I know that every word was chosen carefully and probably with blood, sweat, and tears!
For a classic, when my teens were little, we read seasonal alphabet acrostic books written by Steven Schnur and illustrated by Leslie Evans. The pairing of the poems and art just spoke to me and I decided I wanted to write words that would inspire art like that!

What is the best (one) piece of advice you would give to aspiring writers?
Type up the text of picture books you love, especially if they’ve been published in the last 3 years. You’ll learn so much about pacing and word choice. Seeing the words separated from the art give you a better idea on what editors read and love when they buy books.

And a bonus question just for kicks! If you could be any flavor of ice cream, which one would you be and why??
Mint chocolate chip. Mint, because it’s refreshing, and chocolate because you cannot get through rejections without chocolate.

BIO
I write both picture books and magazine articles. My magazine articles have been published in Spider, Fun For Kidz, and Boys’ Quest. I also cohost #PBPitch, a Twitter pitch party for picture books held three times each year. I am repped by Natascha Morris with BookEnds Literary.

Social Media
https://debrashumaker.com/
https://twitter.com/ShumakerDebra
https://www.instagram.com/debrakshumaker/

Author Tara Lazar: How to Work on your Craft

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Hello world!

Welcome to my book blog. For this Q & A, please welcome an award winning author who’s one of my mentors (and who’s hilariously funny): Tara Lazar. We recently had an interesting conversation via Twitter and I wanted to share some of it here because it was it was fascinating. And oh, did you know she just released yet another picture book? It’s Three Ways to Trap a Leprechaun published by HarperCollins, you should definitely check it out.

.What is your writing process, and does it change depending on the project?
 My process begins with collecting ideas and then sorting through them, often with the help of my agent, and deciding which is the most exciting concept to work on. Then there’s a lot of THINKING. I like to call it “marinating”. The idea is working itself through my brain while I grind through my daily…umm, grind. Somehow the idea announces that it’s ready—I get this full-body creative squirm that forces me to sit down and write it out.

What do you do when you get stuck in a manuscript?
I work on something else. Or I do laundry. Or take a shower. Something rote and mundane lets the creative gears spin in the background. There is always the question of “why” popping up—why does this character act this way? The story has to use logic as it moves along. There is action and reaction, and it has to make sense, even in that pretend world.
I like to write flash fiction short stories for adults, too, and I find that genre helps me whittle things down to only the most important details, and that’s a skill essential to picture books as well.

Tara and I had an interesting discussion a few months ago about how writers need to keep writing and practicing. Some manuscripts never get published, but each project is another stepping stone on the road to publication. All that practice pays off and you may one day write a story that comes out smoothly because of it. Tara, how many times has this happened to you?
It’s just how I have approached the business. Not everything you write will get published, so you must accept that some projects get shelved. Maybe you can turn back after some time and examine it with fresh eyes, more experienced eyes, and make changes that propel it onward. Or sometimes, you see why a story was not destined to get out there. Writing is never wasted time. Baseball players have batting practice—they never stop trying to improve. Not every hit will be a home run. But taking many swings is what matters.

Once you get to that magical place where things flow more organically, does the experience repeat itself or is it always different?
Every story is different. Things gel for me a little more quickly than they did in the past, but still, not every story is a winner. There are many variables that you cannot control in this business. What you can control is writing as many stories as you can.
It reminds me of that Picasso fable. Someone asked Picasso to draw something on a cocktail napkin for them. Picasso drew it, handed it to them and said, “That will be $1 million.” And the person scoffed, “A million? But that took you a few seconds to draw.” Picasso replied…”Yes, because it took 30 years of work for me to draw that in a few seconds.”
You should look that up because I just paraphrased it—but that is essentially the story! You put in years of work to work more efficiently, to work more successfully.

What is the best (one) piece of advice you would give to other writers?
Write, read, network. Never stop learning and growing.

 And a bonus question just for kicks! If you could be any flavor of ice cream, which one would you be and why??
Pistachio. It’s my favorite. I could lick my fingers when I’m hungry!

Who’s Tara?

Street magic performer. Hog-calling champion. Award-winning ice sculptor. These are all things Tara Lazar has never been.

Instead, she writes quirky, humorous picture books where anything is possible.

Her picture books available now are:

Tara is represented by Ammi-Joan Paquette of the Erin Murphy Literary Agency.

Her last name rhymes with “bazaar”—you can listen to Tara pronounce her name on TeachingBooks.net. She’s not Tara Laser-beam (although that would be awesome).

For more information: https://taralazar.com/

Author Nancy Churnin’s Nonfiction Mentor texts

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Hello world!

Welcome to my book blog, Blissfully Bookish. For this Q & A, please welcome the multi-talented author Nancy Churnin. She tells us about her latest book, Beautiful Shades of Brown, the Art of Laura Wheeler Warin, published by Creston Books.

Can you describe the journey to publication for this book?
I began working on this book in 2016. I took it to workshops, submitted it to editors that told me it was too quiet which is funny in a way because Waring was a quiet person and some people think she didn’t get her due because she preferred to speak through her paintbrush. I put it aside.  My agent, Karen Grencik, connected with an editor who was looking for “hidden voices” – people that had been overlooked and were deserving of having their stories told. The editor loved it and we worked on revisions before going to acquisitions. We didn’t make it through acquisitions, but the very next editor I sent the revised manuscript to Marissa Moss at Creston Books, who loved it and felt it was good to go. I was thrilled when she found Felicia Marshall to do the illustrations. Felicia channels Laura Wheeler Waring’s heart, style and brilliance with colors. I am happy that Beautiful Shades of Brown found the right home and the perfect illustrator.

Where did you draw the book’s inspiration?
I fell in love with a painting of Marian Anderson. I had been wondering why there weren’t more books about female painters. When I discovered this painting I loved was by Laura Wheeler Waring, I felt compelled to learn everything I could about her. The more I learned the more I wanted to know and the more I wanted to share what I knew about this amazing artist who used her paintbrush to change perceptions of African Americans in segregated America and whose artwork can now be seen and enjoyed in major museums, including the Smithsonian National Portrait Gallery and the Smithsonian Art Museum in Washington D.C. and the Pennsylvania Academy of the Fine Arts in Philadelphia, Pa.

What is your writing process like, and does it change depending on the project?
The process changes depending on the project and where I am on my writing journey, but some things do remain the same.  I research until I find the heart of the story – the part that resonates with me and that I hope will resonate with the kids. I make notes. I write through. I edit and research more. I rewrite, rewrite, rewrite, sometimes on my computer, sometimes in longhand. When I feel I’ve taken it as far as I can, I run it by my critique partners to get their feedback and revise again.

What draws you to the world of nonfiction? Do you ever write fiction?
I am drawn to the forgotten people, the people who were left out of the history books that deserve to be known. I feel a personal mission to shine a light on them. I have recently been increasingly drawn to the world of historical fiction, which would allow me to embroider stories that might have happened against a historical backdrop. That’s one of the genres I hope to work on more going forward. As for fiction, I love to read it – who knows – maybe one day I will write that, too.

 Please paste a short and compelling excerpt from your book.
“Laura looked at Marian and saw again the teenager singing so soulfully years ago. She heard again the music in all its beautiful shades of brown. She felt the melody travel down her fingers as she dipped her brush into the paints of her palette and found the exact luminous shade of Marian’s beautiful brown skin, her gown, the room.”

 Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?

I have a second book coming out in 2020, For Spacious Skies, Katharine Lee Bates and the Inspiration for “America the Beautiful” (April 1 from Albert Whitman & Company), which tells the story of the poet, professor and suffragette who fought for equal rights, including a woman’s right to vote, and gave her poem, “America the Beautiful” to America as a gift. I have a new book, A Queen to the Rescue: the Story of Henrietta Szold, coming out in fall of 2021 from Creston Books/Lerner Books. I hope to keep writing, creating, visiting, sharing and empowering children. I offer free teacher guides and create projects for each book. I would love to see myself both sharing stories about heroes and encouraging kids to be heroes of kindness in their schools and communities.

Please share your favourite books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you? For classics, The Hobbit is a wonderful example of a quest story You have an unlikely hero that inspires no confidence in anyone (including himself); only the wise wizard sees past appearances. He faces challenges on the way to achieving his goal. He achieves the goal in an unexpected way that changes his perception of the world and who he is. Finally he returns home, but in the spirit of T.S. Eliot: “…the end of all our exploring will be to arrive where we started and know the place for the first time.” For contemporary books, one of my favorites is The Color Purple. That, too, is a quest story of sorts, with the heroine on a journey to discover her own strength and self-worth.

What is the best (one) piece of advice you would give to other writers?
If your heart beats with your characters, your heart will continue to beat in that story after you send it into the world — and children will pick up that beat and know it for their own.

And a bonus question just for kicks! If you could be any flavour of ice cream, which one would you be and why??
Vanilla with dark chocolate covered almonds because it’s crunchy, mellow and CHOCOLATE.

BIO
Nancy Churnin is the award-winning author of eight picture book biographies, with a ninth on its way, including a Junior Library Guild selection, a Sydney Taylor Notable, a South Asia Book Award winner, an Anne Izard Storytellers Choice Award pick, a Notable Book for a Global Society selection and two National Council for the Social Studies Notables and two Silver Eureka Award winners. Her books have been on multiple state reading lists and she has presented at the Museum of Tolerance in Los Angeles, the Ruby Bridges Reading Festival at the National Civil Rights Museum in Memphis, Tenn., the Tulisoma Book Fair at the African American Museum in Dallas and the New York City School Librarians Conference. Nancy graduated cum laude from Harvard University, has a masters from Columbia University and lives in Plano, Texas with her husband, their dog named Dog and two cantankerous cats.

Links
Website: https://www.nancychurnin.com/
Blog: https://www.nancychurnin.com/thekidsareallwrite
Facebook: https://www.facebook.com/NancyChurninBooks/
Titter: https://twitter.com/nchurnin
Instagram: https://www.instagram.com/nchurnin/
Amazon: https://www.amazon.com/Beautiful-Shades-Brown-Wheeler-Waring/dp/1939547652
Barnes & Noble: https://www.barnesandnoble.com/w/beautiful-shades-of-brown-nancy-churnin/1133250747?ean=9781939547651
Interabang Books: https://www.interabangbooks.com/book/9781939547651
IndieBound: https://www.indiebound.org/indie-bookstore-finder
Lerner Books: https://lernerbooks.com/shop/show/19649
Express Booksellers: https://expressbooksellers.com/kids-books/

Author Laurie Wallmark on Female STEM Pioneers

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Hello world!

Welcome to my Blissfully Bookish book blog. For this Q & A, please welcome author Laurie Wallmark. I really enjoy her nonfcition books that tend to focus on women and STEM, topics that are dear to my heart. Here she is discussing her new book, Numbers in Motion: Sophie Kowalevski, Mathematician illustrated by Yevgenia Nayberg and published by Creston Books.

Book quote:

“As the only woman in her classes, Sophie rarely spoke up. One day, while the professor was lecturing, she spotted a mistake on the blackboard. With a pounding heart, she walked to the front of the room.”

  1. Can you describe the journey to publication for this book?

I love math and wanted to share this love with children. Although two of the women in STEM (science, technology, engineering, math) in my picture book biographies have been mathematicians, they were known more for their contributions to computer science. I thought it was time to give a mathematician her due.

  1. Where did you draw the book’s inspiration?

Once I knew I wanted to write about a mathematician, I had to choose which one. I thought about the women mathematicians I knew about and looked through lists to find about ones I didn’t. I chose Sophie for two reasons. Her major mathematical accomplishment, the rotation of solid bodies, has real world applications that children can understand. Second, she solved the problem known as the mathematical mermaid. Who would ever think that those two words would appear in the same sentence?

  1. What is your writing process like, and does it change depending on the project?

For my picture book biographies, my writing process starts with lots and lots of research. Along the way, I make a list of the possible scenes I might include. This helps me figure out the perspective and focus of the book. Then it’s the usual–write, revise, repeat–occasionally doing more research. For fiction, I still might have only to do a little bit of research, but the rest of the process is the same.

  1. What differentiates your book from others with similar content currently on the market?

Numbers in Motion: Sophie Kowalevski, Queen of Mathematics is the first biography of this important mathematician. She’s so important, that every year the Association of Women in Mathematics celebrates a Sonia Kowalevky Day. (To find out why this is a slightly different name, look in my book’s back matter that explains transliteration from the Russian alphabet.

6. Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?

I have another woman in STEM book coming out next year. In addition, I have three fiction picture books on the way. I can’t be more specific than that except for the one book that’s already been announced–Dino Pajama Party. I’m currently working on several more picture books and a novel in verse.

  1. Please share your favourite books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?

I don’t have a good answer to this question (a common one asked during school visits). It’s too hard to narrow the field. There are so many excellent books out there. I will say that in general what moves me about books is the use of language and the way the story unfolds.

  1. What is the best (one) piece of advice you would give to other writers? 

Keep on keeping on.

And a bonus question just for kicks! If you could be any flavor of ice cream, which one would you be and why??

I’d be vanilla, because it’s my favorite ice cream flavor. But I’d hang out with all the other flavors, because what’s life without the great diversity of ice cream flavors (or people for that matter) in the world?

BIO
Award-winning author Laurie Wallmark has written picture book biographies of women in STEM (science, technology, engineering, and math) in fields ranging from computer science to mathematics to astronomy. Her books have earned multiple starred trade reviews, been chosen as Junior Library Guild Selections, and received awards such as Outstanding Science Trade Book, Cook Prize Honor, AAAS/Subaru Prize Longlist, and Parents’ Choice Gold Medal. Laurie has an MFA in Writing from VCFA. She is a former software engineer and computer science professor.

Social Media
Website: https://www.lauriewallmark.com/
Facebook: https://www.facebook.com/lauriewallmarkauthor
Twitter: @lauriewallmark

To Buy
Indiebound: https://www.indiebound.org/book/9781939547637
Amazon: https://www.amazon.com/Numbers-Motion-Sophie-Kowalevski-Mathematics/dp/1939547636/

Author Kirsten Larson: From NASA to STEM Kidlit

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Hello world!

Welcome to my book blog. For this Q & A, please welcome author (and my friend) Kirsten W. Larson. Trust me, this woman is going to make her mark in the world of kidlit. Jois us as she discusses her new book, WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE published by Calkins Creek. 

Can you describe the journey to publication for this book?
I first researched and wrote WOOD, WIRE, WINGS in March 2014 as part of Susanna Hill’s “Making Picture Book Magic” class, so it took almost six years from first draft to published book. For two years, I revised with my critique group and in response to agent and editor feedback at conferences and from queries. In February 2016, I queried agents with the book and signed with my agent, Lara Perkins of ABLA, soon thereafter. This was the first manuscript we sent out. My editor, Carolyn Yoder, asked for an R&R (revise and resubmit) before offering in February 2017. After that, there were still two more rounds of revision. So my takeaway: The publishing process, especially for picture books, is slow.

Where did you draw the book’s inspiration?
The book Rosie Revere, Engineer by Andrea Beaty, illustrated by David Roberts inspired this book. The name of Lilian Todd and a note that she was the first female airplane designer appeared in one of David’s illustrations. Though I’d lived and worked around airplanes my whole life, I’d never heard of Lilian. Neither had my husband, who’s a test pilot and aviation history buff. I knew Lilian’s story was one I needed to tell.

Please share some of your writing process.
My writing process has evolved quite a bit since WOOD, WIRE, WINGS, but for each book my research process is similar. I start with secondary sources and read widely about the person and/or time period I’m tackling. Secondary sources provide needed context for primary sources and also point the way to primary sources through endnotes and bibliographies. I typically have both a file box for books, copies of print sources, and drafts. But I also create a file in Evernote for electronic sources. I use the Evernote web clipper to clip journal and newspaper articles, online letters and diary entries, etc.

When I feel like I’m starting to see the same information over and over again, it’s time to write. Normally I start with a timeline or what I call my “kitchen sink draft,” which has all the names, dates, and details that probably won’t appear in the final draft. Then I can let all specifics go and be more creative with my structure, storytelling, and voice. I also carefully consider what must be said with words and what can appear in the illustrations.

When did you first realize you wanted to be a writer?
I’ve always been a writer in some fashion, and my interest and experience has mostly been nonfiction, specifically journalism. I wrote a newsletter filled with articles about  my family when I was in high school. It included breaking news about birthday parties and trips to the dentist. In college I was a reporter and editor at the college newspaper, The Cavalier Daily, and wrote for two different newspapers in my hometown. I also interned at NASA as a college student, working in the public relations department. (We call it Public Affairs at government agencies). That’s the career field I eventually went into. I didn’t turn to writing picture books until I had two children who devoured nonfiction children’s books about space, weather, and everything else imaginable. Reading those books, I realized I could write them and would probably have a blast doing it.

How did working at NASA influence your writing?
Working at NASA Public Affairs, I considered myself a translator for technical information. My job was to work with the news media providing the information they needed to inform the general public about NASA’s work. That often involved “translating” technical talk and engineer-speak into everyday language when writing press releases and newsletter articles, for example. This was great practice for writing STEM-based picture books where I often read journals and talk with experts. Working at NASA also influenced the subject matter of my first two picture books, which focus on women in aviation and astronomy.

Why do you write nonfiction?
I write primarily to satisfy my own curiosity. Whenever I tackle a new subject, it’s an excuse to become an expert in that field. If I can write a children’s book about the topic, then I know I truly understand the material myself.

Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?
I have two more forthcoming nonfiction picture books, only one of which is announced. THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars are Made Of, is being illustrated by Katherine Roy and will be published by Chronicle Books. I continue to research and write nonfiction picture books but have also tackled graphic novels, another favorite genre. I’m revising a Nathan Hale’s Hazardous Tales-type graphic novel that marries history with fictional elements.

Please share your favourite kidlit books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?
I’m a huge fan of mentor texts, and the books I use are tailored to each project. For WOOD, WIRE, WINGS, I had Debbie Levy’s I DISSENT (illus. Elizabeth Baddeley, Simon & Schuster, 2016) by my side. That book really showed me how to provide just enough historical context in an interesting way. One of my favorites from childhood was THE MONSTER AT THE END OF THIS BOOK, a Little Golden Book featuring Grover, by Jon Stone, illustrated by Michael Smollin (1971). It’s such a perfect example of strong page turns propelling the story forward and a surprising ending. I still have a copy.

What is the best (one) piece of advice you would give to other writers?
Because of the nature of publishing, I think the best thing we can do for our work is to enjoy the journey. We must make sure each book is the story we want to tell, even if it never sells. Finally, there are always people who can help us tell the story better, whether it’s a critique partner, an agent, an editor or an illustrator. Being able to really revise and reimagine a story in response feedback is perhaps the greatest skill a creator can have.

And a bonus Q- If you could be any flavour of ice cream, which one would you be and why?
I’m a big fan of pistachio gelato, which I learned to make in Italy.

BIO
Kirsten used to work with rocket scientists at NASA. Now she writes books for curious kids. Kirsten is the author of WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek, 2020) and THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars Are Made Of, illustrated by Katherine Roy (Chronicle Books), as well as 25 nonfiction books for the school and library market. Kirsten lives near Los Angeles with her husband, lhasa-poo, and two curious kids. Her house is filled with LEGOs, laughter, and lots of books!

Social Media
Website: www.kirsten –w-larson.com
Twitter/Instagram/Pinterest: @KirstenWLarson
Facebook: @KirstenLarsonWrites

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