Welcome to my book blog. For this Q & A, please welcome author-illustrator Rachel Dougherty. Her picture book Secret Engineer: How Emily Roebling Built the Brooklyn Bridge was published by Roaring Brook Press. She explains her journey below.
But first, YAY- Rachel is generously giving away a FREE PB critique! To enter the contest, follow me on Twitter (@LydiaLukidis) and leave a comment below. (ends Nov 9, 2019)
Can you describe the journey to publication for this book?
First I worked on the manuscript with my agent, and after several rounds of edits, we settled on something that seemed strong enough for pitching. When she sent it out to 14 publishing houses for consideration, we had some strong interest early on from Roaring Brook Press, as long I was open to some revision. I was thrilled at the prospect, and even happier once I got to talk about the project with my soon-to-be editor. She was so excited about Emily’s story, and I could tell from our first call that her edits would make the story smarter and sharper. We went back and forth on several rounds of revisions before Roaring Brook Press officially offered me a contract. I feel very lucky to have been paired with an editor whose guidance made my book stronger at every turn.
Where did you draw the book’s inspiration?
I first learned about Emily’s story while reading David McCullough’s wonderful book The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge. It’s a fantastic work— he’s so dedicated with his research and so nimble with his storytelling. I’d certainly heard about John Roebling before, and about his son Washington, but it struck me as so strange that no one had ever mentioned Emily to me. After reading The Great Bridge, I wanted to know more. The more I read about Emily, the more I felt like her story should be told to as many little girls as possible.
Also, and maybe lots of writers say this, but I think we all can’t help but create books for the readers that we were most like as kids. As a kid, I always wanted to know how things worked and why they worked that way. So I knew in writing Emily’s story, I wanted the bridge mechanics to be part of it. I was really excited by the chance to let readers learn how the bridge works just as Emily’s figuring it out on her own in the story.
Please share some of your writing process.
Since I came to writing later than I came to illustrating, I think the manuscript starts to come alive for me once I can envision the art. So I sort of write and draw in tandem in the early stages, with tiny scribbled thumbnails and captions scattered all around the text. It usually takes me four or five rounds of this thumbnail/book-map mess before a proper dummy comes to life.
When did you first realize you wanted to be a writer?
It’s funny, because I don’t think I ever really had a dream to become a writer, or the realization that I wanted to become one. Someone once asked me, “where did you find the courage to start writing?” and I sort of just laughed. It didn’t seem courageous to me at all at the time. I started writing because I was so impatient. I had illustrated a few picture books with historical topics and I was so excited about them that I didn’t want to wait for another project like that to come around. I was so impatient that I figured I’d have to make the project myself, and that’s how I got the idea for the first book I wrote.
Where do you see your career headed? Do you have other WIPs or projects in the pipeline you would like to mention?
Honestly, I hope I can make something as great as Secret Engineer over and over again. I am in the early stages of a project right now that I have high hopes for. It’s really out of my comfort zone. I think it’s still too primordial to talk about, but I hope I’ll have more news soon!
Please share your favorite kidlit books that have inspired you and served as mentor texts. Pick one classic and one contemporary book. What is it about them that moved you?
From an illustration perspective, I always return to Barbara Cooney’s Miss Rumphius. It’s one of the most beautifully illustrated books I’ve ever seen. I just want to live inside those pages—particularly the illustrations of Miss Rumphius’s house. From a writing perspective, I’m floored by Amy Novesky’s Cloth Lullaby: The Woven Life of Louise Bourgeois. The illustrations are also stunning, but Novesky tells Louise Bourgeois’ story so tenderly and poetically. Right from the opening, the words just wrap around you: “Louise was raised by a river. Her family lived in a big house on the water that wove like a wool thread through everything.”
What is the best (one) piece of advice you would give to other writers?
Find your team. Writing can be isolating, and self-doubt gets louder and louder in a quiet room. You need other writers to critique your work, to vent to when you’re stressed, and to high-five when you succeed.
And a bonus Q- If you could be any flavor of ice cream, which one would you be and why?
Coconut ice cream – it tastes like summer at the beach, and that makes me happy.
Rachel Dougherty is a Philadelphia-based author/illustrator driven by a love of nonfiction for young readers. She is the illustrator of several educational picture books, the author of one nonfiction early reader, and the author/illustrator of Secret Engineer: How Emily Roebling Built the Brooklyn Bridge.
To purchase: https://www.amazon.com/See-Sea-Food-Creatures-That/dp/1541554639
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